Where Are the Human Remains?: Fielding and Betty Lewis

You might remember the discovery of Richard III’s grave under a Leicester parking lot back in 2012 and how shocking it was that a former King of England’s gravesite had been lost. For archaeologists, missing gravesites aren’t that uncommon.

When put into perspective, it’s not surprising that we can’t locate the graves of many famous Virginians, including some members of the Washington and Lewis families. In Fredericksburg fires, flooding, war, and neglect have all contributed to the loss of historic graves and other important sites during our nearly 300 year history.

Professional and amateur researchers alike have dedicated years of their lives to gathering the lost history of Fredericksburg, including lost graves of famous Virginians. Thanks to this dedication, we have saved possible sites for the future. This includes George Washington’s Ferry Farm itself. Can you believe there was almost a Walmart built directly on top of the Washington house cellar before it was discovered?!

In the Washington edition of “Where Are the Human Remains?” we talked about Mildred Washington, George’s youngest sister who died before the age of 2.  She is the only known family member to be buried somewhere at Ferry Farm. In this edition, we will discuss the remains and burial locations of Fielding and Betty Lewis.

The approximate location of Betty Lewis’s grave is actually known.[1] She struggled financially after Fielding’s death in late 1781 and, following the Revolutionary War, it was especially difficult for Betty to keep Kenmore afloat. Eventually, she went to live on small farm outside Fredericksburg called Millbrook where she spent the rest of her life. Betty passed away, however, while visiting her daughter, Betty Carter in 1797.  She was buried at her daughter’s home, Western View Plantation in Culpeper County, Virginia. The gravestone in the photograph was added later, so the exact location of the Betty’s burial site isn’t known for sure, but it is somewhere on the property.

Portrait of Betty Washington Lewis by John Wollaston, c. 1755. Credit: Mount Vernon Ladies Association
Betty Washington Lewis’s grave stone. Credit: Trice Glancy / FindaGrave.com
Burial site of Betty Washington Lewis. Credit: Marvin Sport / FindaGrave.com

So, what about Fielding Lewis? The short answer, again, is that we aren’t sure. We have an idea but it may not be what you think or may have heard! Local lore mentions St. Georges Church as the location of Fielding’s grave, as he was a vestryman there. However, he is most likely NOT buried in this location.

Portrait of Fielding Lewis by John Wollaston, c. 1755.

St. Georges Episcopal Church in downtown Fredericksburg is a local icon, seen in several paintings as one of the tallest buildings in our town’s skyline. The church’s first structure was built in 1730, and the Lewis family would attend services in this wooden structure. Then, with the major fire in Fredericksburg in 1807, the replacement of the original church building with a more substantial brick building in 1815, and further alterations to the layout of the church over the years, it’s understandable that burial sites and other features around the church were lost.

St. George’s Episcopal Church. Credit: Virginia Department of Historic Resources

Furthermore, if you have taken any local ghost tours of Fredericksburg, you may have heard the story of Fielding and three of his grandchildren being buried “under the church steps”. This particular tale came from a book called The Ghosts of Fredericksburg… and nearby environs by L. B. Taylor, Jr.  Over 30 years ago, this book was used to create the script for Fredericksburg’s annual Ghostwalk sponsored by the University of Mary Washington Historic Preservation Club. While it’s clear that the author spent a great deal of time collecting stories about ghostly Virginia locations, it should be noted that there aren’t any sources or citations listed in the book.  Taylor was a storyteller, and his main focus was ghostly tales, not historical facts. As a result, we now have this chilling, but likely untrue information, intertwined with the Lewis family history.

In reality, like wife Betty, Fielding died far away from Fredericksburg on a property he owned located in what is Frederick County around Winchester, Virginia today. In a letter written by one of his children, Robert, to his sister Betty Carter, Robert tried to convince his sister to move to the area, stating; “You would be in the neighborhood where the venerated remains of our dear decd. Father lie.”[2] While this indicates Fielding’s burial is in Fredrick County, the exact location was never recorded.

Elyse Adams, Archaeologist
Co-Field Director / Archaeology Lab Technician


[1] Find a Grave, database and images (https://www.findagrave.com : accessed 26 May 2020), memorial page for Elizabeth “Betty” Washington Lewis (20 Jun 1733–31 Mar 1797), Find a Grave Memorial no. 22154, citing Western View Plantation, Culpeper, Culpeper County, Virginia, USA ; Maintained by Find A Grave.

[2] Letter from Robert Lewis to Betty Lewis Carter, 1826 quoted in Paula Felder, Fielding Lewis and the Washington Family: A Chronicle of 18th Century Fredericksburg, American History Company, 1999: 300n10

Fielding and Betty Lewis Married 270 Years Ago Today

Fielding and Betty Washington Lewis were married on this date in 1750 and would have celebrated their 270th wedding anniversary this year. In honor of their anniversary, we’ve taken some creative liberty and have created a fictional newspaper announcement of their nuptials.

At the time of their wedding, Betty Washington was sixteen years old, almost seventeen, and Fielding was twenty four, a widow and father. Save for the date on which it occurred — May 7, 1750 — we have no other historical details about the ceremony nor who actually attended. Still, it’s an auspicious date we like to remember in some fashion each year.

For a general historical discussion of 18th century weddings, read “A Colonial Wedding”.

Betty and Fielding wedding

George’s Hometown: Kenmore

As George Washington’s Ferry Farm prepares to celebrate the reconstruction of the Washington house, we traveled around George’s hometown – Fredericksburg, Virginia – to visit a few places important in the transformation of George from boy to man.

Fredericksburg remained important to George Washington throughout his life. It was the home of Mary Ball Washington, his mother, until her death on August 26, 1789 at the age of 80 from breast cancer. It remained the home of Betty Washington Lewis, his sister, until 1795 when she was forced by financial circumstances to leave the grand house she and husband Fielding Lewis, a wealthy merchant, had built to live at Mill Brook, a farm in Spotsylvania County.  Washington visited his mother as well as his sister and brother-in-law regularly but, as the years passed, these visits became more and more infrequent as the Revolution and Presidency required all his time and attention.  George Washington visited Betty and Fielding at Kenmore once in 1784.

George's Hometown 5

Historic Kenmore

Join us at the Washington House Celebration on Saturday, October 7, 2017 from 12:00 p.m. – 4:30 p.m. to celebrate the construction of the Washington house! A special ribbon-cutting ceremony will begin at 1:30 p.m. featuring notable speakers. After the ceremony, guests will be invited to view the reconstructed Washington house!

Ferry Farm opens to visitors at noon on Saturday, October 7.

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The reconstructed Washington house at Ferry Farm.

PLEASE NOTE: PARKING for the event is off site at the VRE Fredericksburg Park and Ride Lot G at the corner of Prince Edward Street and Frederick Street. Buses will transport guests to and from Ferry Farm—traveling from the VRE lot to Ferry Farm on a regular schedule from 11:45 a.m. to 1:15 p.m., and 3:00 p.m. to 4:15 p.m. Bus transportation will pause during the ribbon-cutting ceremony. The last bus will depart Ferry Farm at 5:15 p.m. Limited handicap parking is available at Ferry Farm.

The Man on the Ceiling: Neoclassical Decorating at Kenmore

As with many things at Historic Kenmore, the reasoning behind the choices Fielding and Betty Lewis made for their masterpiece of a house remain a mystery to us.  Why are Aesop’s Fables the subject of the decorative plaster overmantel in the Dining Room? Why is there an old-fashioned paneled wall in the Chamber? Why did they cover the expensive Drawing Room wallpaper with artwork but didn’t hang any art in the Dining Room? We’ll probably never know why they made most of these choices…but it’s pretty fun to speculate!

One such stylistic choice is at the center of the plasterwork ceiling in the master bedchamber.  Visitors to Kenmore may recall the man’s face surrounded by rays or beams of light depicted there.  It is believed that this man is Apollo, the Greek god, and that the light beams emanating from his head, in this case, indicate that he is being depicted as Apollo the Sun God (one of many titles attributed to him).

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Apollo on the ceiling of the master bedchamber at Historic Kenmore.

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The entire bedchamber ceiling with Apollo at the center.

When asked, we usually give visitors a fairly simple explanation for his position on the ceiling, something along the lines of “Apollo was a common symbol of the neoclassical style which was a popular decorating theme at the time.” That’s very true.  In the mid to late 18th century, the neoclassical style was all the rage throughout England and France, and much of the rest of Europe, as well.  As the story goes, the discoveries of the ruined ancient cities of Herculaneum and Pompeii created a fascination with the ancient world that showed up in everything from window curtains to tea pots.  Although the fashion arrived in the American colonies a bit later than in Europe, and despite far fewer options for incorporating it into their homes, the gentry tried to bring the neoclassical flare to their houses, as well.

However, this explanation for Apollo’s presence in the Kenmore bedchamber may be a bit oversimplified.  After all, Apollo’s face is really the only identifiable neoclassical symbol in the entire house.  Why would Fielding and Betty choose to place this one symbol in this one room, and then completely ignore the neoclassical esthetic in the rest of the house?

Much has been made of the mysterious craftsman who created Kenmore’s famous plaster ceilings – could the Stucco Man simply have chosen Apollo imagery at random for the bedchamber? Or, could there be another, less obvious, meaning behind the depiction? Maybe we should be looking at the 18th century concept of Apollo himself, rather than his use as a decorative motif.

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Exterior of the reconstructed Raleigh Tavern in Colonial Williamsburg. Credit: Maggie McCain/Wikipedia

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Raleigh Tavern’s Apollo Room in Benson Lossing’s The Pictorial Field-Book of the Revolution published in 1860. Lossing visited the tavern in the late 1850s just prior to a renovation (thus the depiction of tools in the room’s center). The tavern was destroyed by fire in 1859. Public domain. Credit: Wikipedia.

Kenmore’s bedchamber isn’t the only place that Apollo shows up in 18th century Virginia.  In fact, Apollo’s name is fairly common in the colony…especially in taverns.  Many inns and taverns had a room known as the Apollo Room.[1]  The most famous of these Apollo Rooms is probably the one at the Raleigh Tavern in Williamsburg, which was a well-known meeting space and the scene of large public gatherings, like balls or dinners.  When the House of Burgesses was disbanded by the royal governor in 1773, the burgesses simply moved themselves down the street to the Raleigh Tavern and conducted their business in the Apollo Room, drafting the non-importation act and other “treasonous” acts.  There is some thought that the Apollo Room in Williamsburg, and the other various Apollo Rooms in Virginia taverns, were named in honor of the Apollo Room at Hercules Pillars (or Pillars of Hercules, depending on who you talk to) in London.

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The Pillars of Hercules pub as it appears today in Soho, London. Credit: Ewan Munro/Wikipedia

The Hercules was a tavern established sometime before 1709, and is actually still in business today.  The Hercules was a leader among the several taverns in London that catered to the gentlemen’s “clubs” that were so popular at the time.  Much like modern-day college fraternities, these clubs were often known for one thing or another – some focused on scientific discourse, some were patrons of the arts, some met to read poetry, some were political in nature, some were more raucous than others, but they were all essentially drinking clubs.  For their monthly dues, members could meet at their club’s tavern and imbibe or enjoy a good meal, and take part in good conversation.  At the Hercules, the club met in the Apollo Room.[2]  Although it was a bit of a disconnect, Apollo was used in this case as a symbol of refined culture and knowledge, as opposed Bacchus, a god who symbolized wild partying and debauchery.  Whatever the reality, the Apollo Room was intended to be a place for polite discourse and companionship.

Now, in a previous post on this blog, we discussed some archaeological evidence that Fielding may have had ties to a fraternal organization (that was essentially a drinking club, too) in England known as the Right Honorable Society of Bucks, and we know definitively that he was a member of the Fredericksburg masonic lodge, another fraternal, social organization.  Could that be the idea that Fielding was trying to express in putting Apollo’s head on the ceiling in the bedchamber – Apollo as a symbol of fraternity and knowledge? It would make sense, especially in light of the fact that Fielding was clearly trying to create the household of a proper English gentlemen when designing Kenmore.  Membership in these social clubs was probably prevalent among Fielding’s business associates in England, and certainly masonic membership was important for businessmen in Virginia.  Perhaps Fielding was subtly creating his own “Apollo Room.”

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Kenmore’s master bedchamber

Alas, there is a glitch in this theory.  If Fielding is trying to create his own Apollo Room, or at least convey the idea of an Apollo Room, why did he choose the bedchamber for it? As visitors to Kenmore have no doubt learned on tour, the master bedchamber in an 18th century household was considered an entertaining space, so that’s not the issue – people other than Betty and Fielding spent time there.  It’s more that the bedchamber is typically the domain of the lady of the house.  It was Betty’s command central, she spent most of her day there, running the household, keeping tabs on the enslaved servants and tending to her children.  If there were visitors to be entertained there, they were most likely Betty’s visitors.  The bedchamber tends to have a feminine connotation.  If Fielding wanted to make his business associates and social guests aware of his culturally refined and knowledgeable status, wouldn’t he put the Apollo symbol in the Dining Room or the Drawing Room?

As I stated at the beginning of this post, there are many aspects of Kenmore that we might never fully understand, and the man on the ceiling is one of them.

Meghan Budinger
Aldrich Director of Curatorial Operations

[1] Study of Taverns in Virginia in the 18th Century. Department of Research, Colonial Williamsburg Foundation, 1990.

[2] Club Life of London with Anecdotes of the Clubs, Coffee-Houses and Taverns of the Metropolis, During the 17th, 18th and 19th Centuries, Vol. II. John Timbs, 1866.

Hanging Portraits in Kenmore’s Drawing Room

The George Washington Foundation’s curators recently oversaw the hanging of portraits in Historic Kenmore’s Drawing Room. Portraits of Fielding and Betty Lewis painted by John Wollaston as well as of John Lewis and Fielding Lewis, Jr. painted by Charles Willson Peale were returned to the room where they hung originally. In this video showing the installation process, Meghan Budinger, Aldrich Director of Curatorial Operations, also explains the significance of these types of portraits to the Lewis family and the rest of Virginia’s gentry.  You can also read more about the portraits and the installation process on “The Rooms at Kenmore” blog at http://kenmore.org/wordpress.