We are heading into the final stretch of this year’s exploration of the 18th-century kitchen at George Washington’s Ferry Farm, and it definitely hasn’t disappointed! The finds are getting bigger and better as we continue excavating deeper into the cellar and expand our look into the surrounding area. We have made a ton of progress that wouldn’t have been possible without the help of our crew of the George Washington Foundation staff, interns, and University of South Florida field school students. While there are still a few weeks before the official end of the dig on July 11. Just in case you missed them, here are some quick introductions and fun finds from the 2025 field school and crew.
Left to right: Judy, Danielle, Abby, Sarah, Alaina, Alaina S., Sofia, Addie
Field School
“Hi, my name is Alaina Scapicchio, and I am a Ph.D. candidate in the Department of History at the University of South Florida. This is my third summer digging at Ferry Farm. My favorite moment of the summer was excavating a partially intact pig jaw!”
-Alaina
“Hi! My name is Addie, I am a history and anthropology student at the University of South Florida. My favorite artifact to find are the animal bones.”
-Addie
“Hi, my name is Alaina. I am studying history at USF. My favorite part of the field school was digging in the kitchen because of how many cool artifacts we found. My favorite artifact was the piece of the Bartmann jug!”
-Alaina
“Sofia Almeida is a first-year History PhD student at the University of South Florida. Her research focuses on historic cemeteries, public history, and memory. One of her favorite parts of field school was digging in the kitchen cellar. One of her favorite artifacts this season was a decorated fragment of Staffordshire ceramic.”
-Sofia
GWF Interns
“Hey! My name is Abby! I am a recent graduate from UVA and am planning to pursue a career in archaeology. I enjoy reading and playing Ultimate Frisbee in my free time. My favorite artifact that I helped find this season was a projectile point with jagged edges.”
-Abby
“Hey all, my name’s Max Puckett. I’m a senior at the University of Mary Washington, currently pursuing a BA in Historic Preservation. In my spare time, I like to cook, research, and read. I’ve really loved this field season so far- we are pulling out a ton of interesting and exciting artifacts.”
-Max
Sarah came to Ferry Farm as a VCU student in the summer of 2014 and has been in over half a dozen summer digs since then. This year’s dig is very special to her because it is focused on the cellar of the Washington kitchen. Her favorite artifacts from this dig are the ones that can actually be paired and mended with each other because much of what collapsed in the kitchen fire was left in place and not scattered or missing.
-Sara
GWF Staff
I have been involved with the Ferry Farm Archaeology Department since 2012, when my youngest twins graduated from high school. I started out as a volunteer but then took on a part-time position cataloguing artifacts from the summer digs, which then turned into a full-time job as a lab assistant. I have been co-field director since 2019. I have a BA in Anthropology and an MA in Historical Archaeology, with past jobs in cultural resource management and historic sites, such as Mount Vernon. Though I really enjoy pulling out the handfuls of wine bottle necks and bases, I do find it more awe-inspiring when we pick out the tiniest and fragile eggshell fragments among the rubble and debris inside the kitchen cellar.
-Judy Jobrack
“Hello! I’m Danielle, and I have been at Ferry Farm since 2022, first as an intern and then lab assistant and co-field director. As a UMW Historic Preservation alum, I love all things old, both above ground and below, so this year’s dig has been particularly exciting with all the architectural bits we have been finding. With that said, I think my favorite artifact so far has been a brass/copper button –metal with verdigris is just so cool!”
-Danielle Arens
Though some of our crew is leaving, the rest of us will be digging every weekday until July 11, so be sure to come say hi and see what new things we have uncovered!
Linum (“Flax”) and oleum (“oil”) – Fashionable and Affordable
As a Historic Preservation student at the University of Mary Washington, I’ve grown to appreciate almost all aspects of materiality. Over the past four years, my education has taught me to look closely at the built environment around me.
Two years ago, I stumbled across a book about mid-century kitchens, which discussed modern flooring’s ugly duckling: linoleum. From this, I developed an appreciation for linoleum and vinyl flooring and an equal obsession with spotting them.
Most people wouldn’t put Linoleum at the top of their list of favored materials. After all, historically, it’s been labeled as cheap, tacky, and ugly. However, linoleum has been an important part of modern living since the late 19th century. While the patterns most people initially thought of weren’t very attractive (that one red brick style), their initial creation changed the game for durable materials in a household and single-handedly became a hospital favorite.
Linoleum was first invented by Frederick Walton in Chiswick, England, when he discovered that oxidized linseed oil could replace rubber when mixing the oil with cork and other fibers. This process was sped up by heating the oil with lead and zinc, which formed a sticky paste that would be mixed with sawdust or cork to keep the cloth from becoming tacky. Shortly after receiving a patent in 1864, Walton opened the American Linoleum Manufacturing Company on Staten Island, New York, in 1872, with the nearby town named Linoliumville in its honor.
Fred Walton, creator of Linoleum
The genius of linoleum was/is its durability and ability to be mass-produced cheaply. Additionally, the material could be customized using pigments to create virtually any pattern, which aided in its early popularity in homes. Early linoleum was commonly produced in printed, marbled, inlaid, or plain patterns, with these distinct designs often serving as time machines to gauge when the flooring was installed. Putting aside the aesthetics, linoleum is most likely to be seen in high-traffic areas, such as hallways, kitchens, and mudrooms, due to its long-term durability.
A well-installed linoleum is waterproof and surprisingly antibacterial, which is why, since its invention, linoleum has been commonly used in hospitals. The flooring was also popular among naval vessels in the early twentieth century, with battleships and luxury cruisers taking advantage of the material. In fact, the RMS Titanic used inlaid linoleum flooring for a significant portion of its decks, which can be seen in past photos and even on the sea floor today.
First Class Smoking Lounge on R.M.S. Titanic with lovely blue and red tiles, ca. 19122004 image of wreckage from the Titanic, showing linoleum floor tiles taken by the Institute for Exploration and Center for Archaeological Oceanography/University of Rhode Island/NOAA Office of Ocean Exploration
The manufacturing boom of the mid-twentieth century brought modern materials and technologies to the average household, including the popularization of linoleum in common spaces. Kitchens and high-traffic areas would continue to have the flooring material. However, living rooms, eating spaces, and even walls would start to display colorful and flashy patterns. This popularity would be short-lived, as the 1950s brought vinyl flooring, an extremely similar product, but was pushed as a newer and more “fashionable” alternative to linoleum.
An image of a bedroom from a 1952 advertisement for linoleum flooring
Despite the initial falloff, linoleum has made a surprising comeback in homes within the last few years. It’s understandable, as per square foot, the material is very affordable and easy to clean, not to mention that rising interest in the conservation of historic homes has led to the preservation and replication of historic linoleum. Most often, the damage to the material features is rips and cracks, which are easily repaired with patching and a fresh coat of sealant.
I don’t write any of this intending that you agree with me. However, I believe that linoleum reflects the best of modern materiality. It’s low-cost, eco-friendly, durable, and easy to customize, allowing lower-income homes to decorate their spaces economically and colorfully. While spotting linoleum in older buildings may be rare due to being covered with changing fashion trends (we are all familiar with carpet over beautiful hardwood floors), preserving it is just as important as any other part of the built environment.
Helena Samson
Fleming Smith Scholar, UMW Class of 2025
Linoleum’s Forebearer “Fancy Pattern-Cloth” – Eighteenth Century Floorcloths
The future of home restoration and preservation will involve saving certain building materials, such as wood, stone, brick, and decorative elements, like linoleum. While humble and even ridiculed (you know the pattern), linoleum will eventually be treasured as a lasting historical remnant, helping future preservationists add context and depth to restorations.
Classic linoleum, everyone seemed to have despite not wanting to admit it.
Unfortunately, in eighteenth-century historical preservation, we are rarely lucky enough to find samples of the predecessor of linoleum, the floorcloth. The floorcloth was a relatively common floor covering in eighteenth-century Virginia homes. It was made from woven cloth, usually heavy and sturdy, like linen or cotton canvas. This canvas was then stretched, several layers of oil paint applied, and covered in varnish. This floorcloth could be painted in any fashionable design, as seen in John Carwitham’s book published in 1739, with the replica marble being one of the favorites.
Behold my fancy flooring, m’lady – design plate from John Carwitham’s “Various kinds of floor decorations”, 1739Marble floorcloth in entryway at Kenmore. The floorcloth was made in 1980 and has been stripped and repainted once…it is holding up nicely.
Like linoleum, floorcloth was prized because it was customizable, durable, easily cleaned, and repairable. It could also be cut down and used in other areas like kitchens or closets after it lost its fashionability or was replaced with carpet. It was so versatile that it basically reused itself out of existence.
While no known complete examples of eighteenth-century floorcloths exist, bits and pieces have been found, offering insight into their construction and functionality in the home. Coincidentally, here at Kenmore, we found remnants of a floorcloth under the floorboards in the attic during a period of restoration in 1989. Small samples from the remnants were taken for analysis:
Floorcloth remnant found in Kenmore’s atticFloorcloth remnant found in Kenmore’s attic
Base layer – yellow preparatory layers of lead white and yellow ochre ground in linseed oil. The uneven distribution of the large, clumped pigments suggests it was hand-ground paint.
Black paint is found in the third layer above the ground coatings with remnants of plant resin varnish, followed by a green design layer. This could mean the black paint was the original design, and it was repainted after varnish and the green design were put on top.
Green-painted areas – made up of white lead, Prussian blue, yellow ochre, and calcium carbonate.
White paint – composed primarily of white lead and calcium carbonate
We can draw a few conclusions from this paint analysis. One, the floorcloth was well used but eventually worked its way down the list of favored household furnishings, whether from wear and tear or fashionability. Either way, it was ultimately rolled up and stored out of sight, and lucky for us, forgotten.
Second, the white paint sample did not contain zinc white, which was used after 1840, and the green paint sample did not contain chrome green, which means it was likely produced before 1816, when chrome yellow pigments were commercially available. So, while we can’t verify that it was a Lewis family floorcloth, it is a very early example of the floor covering. It inspired the floorcloth reproduced for Fielding’s office in Kenmore, which you can read about in our previous post, “What Was Old Is New Again”.
Beautiful reproduction floorcloth hand-painted by Black Dog Gallery, Yorktown.
Today, thanks to linoleum, we can choose affordable, durable, and even fashionable flooring materials. Linoleum is the evolution of floorcloths with similar goals and functionality. However, while floorcloths didn’t usually survive, linoleum will follow us through history and deserves to be preserved even if it leads to awkward questions about style and décor.
Oh, there will be questions.
Heather Baldus
Collections Manager
Bibliography
Kaldewei, G. (2000). Linoleum: History, design, Architecture, 1882-2000. Hatje Cantz ; Distribution in the US, DAP, Distributed Art Publishers.
Landreau, A.N. (1976). America underfoot: A history of floor coverings from colonial times to the present. Published for the Smithsonian Institution Traveling Exhibition Service by the Smithsonian Institution Press.
Weissman, J.R., & Lavitt, W. (1994). Labors of love: America’s textiles and Needlework, 1650-1930. Wings Book: Distributed by Outlet Book Co.
Buck, Susan L. Floorcloth Fragments Cross-Section Microscopy Report, Kenmore, Fredericksburg, Virginia. (2006)
Lives & Legacies 