Lives and Legacies

Category: Archaeology

  • George Toasts George?

    At George Washington’s Ferry Farm we’ve just wrapped up a ceramic mending project.  We explain how and why we undertake these mending projects in this post.  Our most recent effort focused on Westerwald stonewares owned by the Washington family.  Stoneware is a high-fired, non-porous ceramic that is excellent for producing storage containers and drinking vessels.  But what is a Westerwald, you may ask?  Well, Westerwald stonewares were a ceramic produced in the Westerwald region of what is now Germany beginning in the 1500s.  Destined for the British Isles and British colonial markets, this particular ceramic is common to archaeological sites in the Chesapeake region.

    Westerwalds were salt-glazed, meaning that during the firing process large quantities of salt were introduced into the kiln.  The salt vitrified (converted into a glass-like substance) upon contact with the vessels, producing a shiny glaze and a characteristic ‘orange peel’ texture on the surface of the pots.  Decorated predominantly with molded and incised designs that are filled with bright cobalt blue and deep purple, Westerwalds are strikingly beautiful.

    Jug with a bird motif.

    We’ve learned a great deal from analyzing the Westerwalds used by the Washingtons.  Many of the vessels identified in the Ferry Farm assemblage were tankards, jugs, and other drinking vessels from which beverages such as ale and cider, a large part of the colonial diet, were consumed.  Some tankard handles we’ve excavated have small holes at the top, where a pewter lid — a distinguishing characteristic of German-made steins — was attached.  These lids often do not survive in the archaeological record because the metal had value.  Rather than being discarded, the pewter was often recycled.

    In addition to being aesthetically pleasing, Westerwald drinking vessels often served a political purpose.  An excellent example of this is to be found within our assemblage of Westerwalds in the form of multiple mugs emblazoned with the initials ‘G.R.’, meaning Georgius Rex, the Latin for King George.  During the time Westerwalds were produced in Germany, three British kings were named George.  Interestingly, however, all three came from the House of Hanover, a German royal family placed on the British throne in 1714.  For Americans, of course, the most famous of these Hanover kings was George III.

    Sprig decorated G.R. medallion on a jug fragment.

    Thus, a gentleman sporting a ‘G.R.’ on his tankard or jug advertised his loyalty to the Crown with every draught of ale.  A night of drinking involved numerous toasts “To the King’s Health!”  It was not unheard of for dozens of toasts to be recited for the king, his family, and anyone else of political interest the imbibers saw fit to honor.  Toasts and drinking vessels were also utilized to express disagreement with political powers.  Politics and drinking definitely went hand-in-hand in the colonies.  Once George Washington became a public figure, there were toasts such as “To General Washington, and victory to the American arms!” to honor him.

    The presence of these initialed Westerwalds at Ferry Farm show that until the Revolution the Washington family, like most Americans, viewed themselves as loyal subjects of the British Crown.  Indeed, many families in Fredericksburg would have owned such mugs and toasted their monarch prior to the war.  In fact, several ‘G.R.’ vessels have also been excavated at Historic Kenmore, the home of George Washington’s sister, Betty.  The people of Ferry Farm, Kenmore, and Fredericksburg found their daily lives governed by Britain’s global economy and imperial culture.  Colonial men – whether gentry, tradesman, or servants – pursued homes, professions, pleasures, and possessions that conveyed their status, wealth, and English identities.  One such possession that emphasized this identity was Westerwald drinking vessels.

    Hollowware fragments with an unknown motif.

    One has to wonder what became of these mugs once the Revolution began.  Did Loyalists quietly stash away some of their ‘G.R.’ mugs once the tide of war went against them?  Perhaps some tankards and jugs were smashed publically by Patriots in a ritual different from their intended purpose of toasting but no less a political act than those toasts had been.  Nevertheless, it is intriguing to picture a young George Washington drinking heartily from a ‘G.R.’ mug and toasting a king against whom he would lead a revolution.

    Mara Kaktins
    Archaeologist/Ceramics & Glass Specialist

  • Mending Those Humble Sherds

    What do archaeologists do with the broken ceramic and glass artifacts after these objects have been excavated, cleaned, and catalogued? They are cool to look at but what do these little pieces actually tell us about the past? How can we use them to understand the lives of those who purchased, used, and eventually discarded them?

    One method is by mending the sherds (‘sherd’ is the term we use to describe broken pieces of ceramic and glass) to re-create the vessels. We mend by spreading out all of the fragments on a table and carefully seeing which ones fit together. Then, we use non-damaging tape to join the pieces temporarily. If deemed appropriate, we might decide to carefully glue the sherds together – with removable archival glue, of course!

    Sherds to be mending in the Archaeology Lab at George Washington's Ferry Farm
    Sherds to be mending in the Archaeology Lab at George Washington’s Ferry Farm

    As archaeologists mend and a vessel takes shape, we can determine a number of details about the object we couldn’t when it was just a pile of broken stuff! First, we can figure out what type of vessel it was and what its uses were. Determining the vessel type helps us figure out what activities took place in a given excavation area. Cooking vessels mean the area was used for food preparation. Plates, bowls, and cups show the area was used for dining while crocks indicate a storage area.

    Second, we can determine how much a mended vessel was used by the “use-wear” present on it. For instance, a chamber pot kept under a bed and drawn out from its storage place a couple of times a day will start to exhibit wear marks on the base where it is dragged across the floor. These grooves usually run parallel with the handle. The longer the pot is used the more wear it acquires. The same goes for knife-marks on dinner plates or stir-marks in drinking vessels. However, it is difficult to truly examine the use of a chamber pot using just one sherd. It is preferable to have as much of a whole vessel as possible, so we must mend!

    Yay! They match!
    Yay! They match!

    Within the archaeological community, the general opinion is that mending is a fun activity. It definitely is! What is more fun than taking ancient fragments long-ago discarded by their owners and creating tankards, porringers, teapots, jugs, and all manner of other vessels that say something about who used them? It is one thing to show someone a sherd of porcelain and say “George Washington’s mother may have owned this” and quite another to show them a mended teapot and declare “George Washington was served tea from this very pot!” That being said, mending is also frustrating at times. Imagine taking 100 puzzles, mixing them all together, throwing away 90 percent of the pieces, and then trying to work the puzzles! This is basically mending in a nutshell. Some of us stare at the sherds for so long that we see them when we close our eyes or go to sleep! Now, that’s dedication!

    It is rare that an entire vessel can be completely reconstructed. When an object is broken, perhaps all of the fragments do not get swept up and deposited in the same place. Areas where people lived sometimes become agricultural fields and are plowed for decades or longer, resulting in fragments of vessels being further broken and scattered about the landscape. Insects and animals move artifacts when burrowing in the soil, a process termed ‘bioturbation’. We do the best we can with the artifacts we’ve recovered.

    Pearlware waste or ‘slop’ bowl. Hand painted. Made in England between 1795 and 1830.  This bowl would have been used during the tea ceremony as a receptacle for spent tea leaves or unwanted cold tea before refilling a cup with hot tea.
    Pearlware waste or ‘slop’ bowl. Hand painted. Made in England between 1795 and 1830. Excavated at Historic Kenmore. This bowl would have been used during the tea ceremony as a receptacle for spent tea leaves or unwanted cold tea before refilling a cup with hot tea.

    Still, archaeologists really love when we mend a vessel to near perfection and put it on display for the public along with all the information we’ve learned from it. We’ve actually just finished mending German Westerwald stonewares and we’ll share some of that project’s results in the not-too-distant future. Soon, we’ll be moving onto English white stonewares. On your next visit to Ferry Farm, you’ll likely see a mending project on display in our laboratory and maybe some of our talented staff working hard to unlock the secrets contained within those humble sherds!

    Mara Kaktins
    Archaeologist/Ceramics and Glass Specialist