Lives and Legacies

Category: Ferry Farm

  • 2026 Dig season begins at Ferry Farm, Boyhood Home of George Washington 

    Beginning on Monday, April 27th and continuing for the next 11 weeks, archaeologists will once again be outside working onsite at Ferry Farm, George Washington’s Boyhood Home. Our current excavations are centered on an eighteenth-century kitchen located on the north side of the work yard approximately 50 feet from the main house.  This wood-framed building, 16’ by 16’ in plan with an Aquia stone foundation and full cellar, would have been a hub of activity on the farm landscape and understanding its place within this landscape is important to our interpretation of life on the Washington farm.  

    Figure 1. Our kitchen site is located beneath the blue tarp just northeast of the main house.

    We began last year’s excavation season by uncovering and exposing the entirety of the site, which had been sealed 28 years ago with a protective layer of sand. Exposed was a 16’ square stone foundation to a cellar filled with burnt household and architectural debris. For our excavation plan, we divided the cellar fill into four quadrants and were able to excavate two of them down to the level of the cellar floor over the course of our season. One of the quadrants had previously been excavated in the 1990s, leaving one more quadrant to dig this summer.  

    Figure 2. The eighteenth-century kitchen stone wall foundation, intruded upon by twentieth- century concrete foundations.

    From the burned fill came an unexpected bounty of artifacts. Hundreds of fragments of glass wine bottles and ceramic storage containers were sifted through our screens, along with buckets of burned architectural debris such as plaster, mortar, and wrought nails of all sizes.  A smaller number of more delicate artifacts also surprisingly survived, such as straight pins, animal bones, leaded tableware glass, buttons, box hinges, small copper drawer pulls, and even a concentrated deposit of eggshells! 

    Figure 3. A large wine bottle base being excavated out of the kitchen cellar fill. 

    Excavation also continued outside of and around the kitchen foundation as we searched for additional clues to the architectural footprint of the building. From these units we found artifacts ranging in age from 6500 BC to modern day. Native American projectile points and flint-knapping debitage, colonial-era ceramics, Civil War bullets, and twentieth-century household remains were all dug up in the various soil layers covering this part of the site.      

    Our archaeology lab has been very busy for the last nine months cleaning and sorting all the artifacts that were found last summer.  Understanding the types of artifacts found will aid in our interpretation of how the building was used, its construction details, its role in the farm landscape, and, hopefully, the date it burned down! 

    Figure 4. Glass wine bottles and stoneware crocks are washed and dried in the lab before being sorted and catalogued. 

    Our field crew will be on site weekdays from April 27th to July 10th.  Once again students from the University of South Florida will be here to learn the basics of archaeology field work during the months of May and June. We welcome all visitors to ask questions and enjoy the opportunity to help us sift for artifacts!  

    Judy Jobrack and Danielle Arens

    GWF Archaeologists

  • Meet the Crew 2025

    We are heading into the final stretch of this year’s exploration of the 18th-century kitchen at George Washington’s Ferry Farm, and it definitely hasn’t disappointed! The finds are getting bigger and better as we continue excavating deeper into the cellar and expand our look into the surrounding area. We have made a ton of progress that wouldn’t have been possible without the help of our crew of the George Washington Foundation staff, interns, and University of South Florida field school students. While there are still a few weeks before the official end of the dig on July 11. Just in case you missed them, here are some quick introductions and fun finds from the 2025 field school and crew.

    Left to right: Judy, Danielle, Abby, Sarah, Alaina, Alaina S., Sofia, Addie

    Field School

    “Hi, my name is Alaina Scapicchio, and I am a Ph.D. candidate in the Department of History at the University of South Florida. This is my third summer digging at Ferry Farm. My favorite moment of the summer was excavating a partially intact pig jaw!” 

    -Alaina

    “Hi! My name is Addie, I am a history and anthropology student at the University of South Florida. My favorite artifact to find are the animal bones.”

    -Addie

    “Hi, my name is Alaina. I am studying history at USF. My favorite part of the field school was digging in the kitchen because of how many cool artifacts we found. My favorite artifact was the piece of the Bartmann jug!”

    -Alaina

    “Sofia Almeida is a first-year History PhD student at the University of South Florida. Her research focuses on historic cemeteries, public history, and memory. One of her favorite parts of field school was digging in the kitchen cellar. One of her favorite artifacts this season was a decorated fragment of Staffordshire ceramic.”

    -Sofia

    GWF Interns

    “Hey! My name is Abby! I am a recent graduate from UVA and am planning to pursue a career in archaeology. I enjoy reading and playing Ultimate Frisbee in my free time. My favorite artifact that I helped find this season was a projectile point with jagged edges.”

    -Abby

    “Hey all, my name’s Max Puckett. I’m a senior at the University of Mary Washington, currently pursuing a BA in Historic Preservation. In my spare time, I like to cook, research, and read. I’ve really loved this field season so far- we are pulling out a ton of interesting and exciting artifacts.”

    -Max

    Sarah came to Ferry Farm as a VCU student in the summer of 2014 and has been in over half a dozen summer digs since then. This year’s dig is very special to her because it is focused on the cellar of the Washington kitchen. Her favorite artifacts from this dig are the ones that can actually be paired and mended with each other because much of what collapsed in the kitchen fire was left in place and not scattered or missing.

    -Sara

    GWF Staff  

    I have been involved with the Ferry Farm Archaeology Department since 2012, when my youngest twins graduated from high school. I started out as a volunteer but then took on a part-time position cataloguing artifacts from the summer digs, which then turned into a full-time job as a lab assistant.  I have been co-field director since 2019.  I have a BA in Anthropology and an MA in Historical Archaeology, with past jobs in cultural resource management and historic sites, such as Mount Vernon.  Though I really enjoy pulling out the handfuls of wine bottle necks and bases, I do find it more awe-inspiring when we pick out the tiniest and fragile eggshell fragments among the rubble and debris inside the kitchen cellar.

    -Judy Jobrack

    “Hello! I’m Danielle, and I have been at Ferry Farm since 2022, first as an intern and then lab assistant and co-field director. As a UMW Historic Preservation alum, I love all things old, both above ground and below, so this year’s dig has been particularly exciting with all the architectural bits we have been finding. With that said, I think my favorite artifact so far has been a brass/copper button –metal with verdigris is just so cool!”

    -Danielle Arens

    Though some of our crew is leaving, the rest of us will be digging every weekday until July 11, so be sure to come say hi and see what new things we have uncovered!


    Danielle Arens

    GWF Archaeologist


  • “We encampt here on the banks of the Rappahannock. Oh, it is beautiful country.”

    A Personal Look At Civil War Soldiers As Told Through Artifacts

    Ferry Farm is most well-known as the Boyhood home of George Washington. While our primary emphasis of interpretation and research has focused on young George and his family’s life on this farm, Ferry Farm has many other stories to tell. The American Civil War had a major impact on the Ferry Farm community, changing both the landscape and the lives of those who lived here. This blog will look at how our archaeological efforts have brought to light artifacts that reflect the experiences of the soldiers that were stationed on the “old Washington Farm.”   

    The Washington house and its outbuildings gradually fell into disrepair until by the mid-1830s there was no trace of them on the landscape. But the soldiers still knew the significance of the site. In April 1862, the Civil War came full force to Fredericksburg and to Ferry Farm. Federal Forces took over and occupied the City of Fredericksburg behind the retreating Confederate Army.  Encampments and gun emplacements were established all along our side of the river and throughout Stafford County as the army set about maintaining control of the city across the river. Engineers were set to the task of rebuilding the railroad bridge and erecting pontoon bridges, including one at the end of Ferry Road.

    Looking over Fredericksburg by Alfred R. Waud

    This spring deployment and the military occupation of Ferry Farm was relatively quiet and uneventful. There is no evidence of a large, formal camp at Ferry Farm, but soldiers were stationed here to protect one of the pontoon bridges that ran from the bottom land of Ferry Farm across to the city of Fredericksburg. In August of 1862, the army suddenly retreated from the city and the surrounding countryside to defend Washington, D.C.

    In November of the same year, the full force of the Union Army returned to Stafford County in preparation for the retaking of Fredericksburg and their expected march to take over Richmond. Instead, the Federals suffered a devastating defeat at the Battle of Fredericksburg in December and retreated to the north side of the river for winter camp. Now, Ferry Farm was being used more actively as a staging ground for multiple troop movements, bivouacs for soldiers guarding the pontoon bridges, and as a defensive line for the Federal troops.

      A defensive trench, or rifle pit, with an adjoining berm to protect soldiers from gunfire originating on the Fredericksburg side of the river, was dug across the edge of the upper river terrace, stretching north-south from the edge of the stream gully through the remains of the Washington house. A small extension on the south end of the trench was dug out to connect it to the now-exposed cellar.

    Artifacts found within the cellar trench fill reflect the extensive use of the house ruins by soldiers during both occupations. In the spring and summer, they used the farmhouse as their headquarters, writing on the plaster walls and leaving graffiti in pencil and charcoal on hundreds of plaster fragments that have been excavated and preserved.

    Plaster fragments with graffiti

    Various artifacts were abandoned when they left, including canteens, bullets, gun parts, and writing tools. But this blog isn’t about buttons, bullets, and buckles. It’s about the items the soldiers found more dear. Objects they made or relied on for small comforts.

    So, on a more personal level, what was everyday life like for the Union soldiers stationed here during the Civil War? When they weren’t directly experiencing the brutal and intense combat fighting on the front, it was a routine-filled life of constant drilling, standing watches, maintaining equipment, and finding imaginative ways to entertain themselves in the camps. But camp life had its own struggles and hardships. Poor shelter, food, and hygiene, along with low immunity rates to communicable diseases, all contributed to high rates of sickness and disease. Add to that boredom and homesickness, and camp life was a private’s first test of survival.

    It was very important for the soldiers to recognize that they were standing on the very ground that their hero, George Washington, once stood on. Those sentiments were expressed in a speech by Private Edwin Jones of the 6th Wisconsin when he said, “We are assembled on sacred soil…It was while living on this plantation, under the direction and blessed with the teaching of a noble mother, that George Washington learned those lessons…fitting him for leadership in war and peace, to lay the foundation of the mighty Nation that we today are fighting to preserve.”

    On a more personal note, we know soldiers spent a lot of idle time playing games among themselves. Dice, card games, chess, checkers, and gambling were all very popular, and remnants of these activities are found on all Civil War sites. At Ferry Farm, we have a collection of gaming pieces, including this bone die and a gaming piece crafted from a Minié ball, which could have been used to play chess, checkers, or as markers in a game of chance.

    And we can’t forget about the importance of music in camp life. Music was a common and welcome pastime activity for troops. Fiddles, guitars, fifes, harmonicas, and accordions all came out at night to entertain the soldiers who relished listening to songs about home and the worries of war. Jaw harps were inexpensive and easily portable, which made them very popular with soldiers. Our jaw harps, one of which was recovered from the civil war trench, is of the style known as a Gloucester type, one of the most common designs in America during Colonial times and after the Revolution.

    “Gloucester type” jaw harp

                Nothing is normal about wartime. Many people were forced to improvise, and it’s very hard to determine why a soldier placed four unfired Minié balls in this tin can, which was revealed through X-ray. Did he lose his ammo case? Was it just idle behavior? Were these bullets saved to be turned into gaming pieces? This is the type of artifact that raises more questions than answers.

    Literacy – Ink Bottle/Pen nib:

    Literacy among Civil War soldiers was very high, and much of what we know about daily camp life comes from the letters written and received by the soldiers themselves. Letter-writing to loved ones at home allowed the soldier to keep up with local news, forward monetary and business instructions to those left running the household or farm, and relay war news to their family.

                A complete ink bottle and pen nib recovered from the site evidences the desire for correspondence, both official and personal. The ink bottle itself was found in the Bray cellar hole, which the Union soldiers used as a defensive dugout to avoid Confederate sharp shooters. We can just picture a group of soldiers huddled down inside the cellar, building a small campfire to stay warm, and writing letters home to their families. Was it a hasty departure that left this bottle in the cellar, or perhaps the owner expected to return but didn’t. As archaeologists, we can’t answer all these questions, but we know it was used during the Civil War by a Union soldier and was found in a location many soldiers never wanted to be stuck in.

    This particular ink bottle is an ‘umbrella’ shape, one of the most ubiquitous ink bottle forms from this era. The bottle was typically meant for single use and would have been made in one of the numerous American glasshouses present during the 19th century. It was then filled with ink, affixed with a label, and marketed for single use.

    “umbrella” shaped ink bottle and small pen nib

    This small pen nib is stamped with a maker’s mark and style name. The Esterbrook Company started making nibs, including the “Relief” style, in 1858 in Camden, New Jersey, and became one of the largest manufacturers of this product in the US. The nib was part of a dip pen, which consisted of a handle made of various materials and the replaceable nib.

    The first evidence of self-care in the trenches takes the form of a small double-sided bone comb. Combs were made from an assortment of materials, including bone, ivory, gutta perch, and steel, and were used for grooming the moustache and hair. But their fine teeth were also handy in capturing the pesky lice that were endemic to camp life among men marching and living together in close quarters. This comb would have been an essential component of any soldier’s personal kit.

    small double-sided bone comb

    Our second evidence of self-care is this intriguing bottle. It is not so much interesting because of what it is – it’s a very common medicine style bottle for the mid-19th century– but rather what’s inside. Clearly visible within the bottle is a hard black substance, and for years, we’ve wondered what the substance may be.

    Mercury bottle, mercury was used for a variety of medicinal reasons at the time

    So we chipped off a little fragment of the substance and sent it to Ruth Ann Armitage, our chemist friend at Eastern Michigan University. The sample was analyzed using scanning electron microscopy to map out specifically what elements were present in the sample. Our sample was also run through DART (direct in real time) mass spectrometry. This technique is good at detecting organic components within a substance.

                Almost immediately, Dr Armitage responded, and we weren’t disappointed: “Did you know there’s mercury in this?”  Nope, we did not.

    However, this discovery was not too surprising given the use of mercury in many medicines for thousands of years. Nowadays, it’s common knowledge that you shouldn’t drink mercury…or touch it…or inhale it, but for a long time, mercury was seen as a potent healing metal, and it was readily rubbed on skin, consumed, and vaporized for immediate effect on the lungs.

    And while all these treatments using mercury did little to address the body’s underlying medical problem, mercury did cause an immediate bodily response, which convinced people it was working to cure their ailments. When applied topically, it burned. When introduced into the body, it caused a person to sweat, salivate, and have diarrhea. The mucous membranes also went into overdrive, leading many to believe that the bad stuff in your system making you sick was being purged by the mercury. The reality, of course, was that the body was trying desperately to rid itself of poison.

    So, if the residue inside our bottle was medicine, what was its exact formula? All we can say at this point is that it was mercury-based and that it could have been in either liquid or pill form. Common Civil War-era uses for mercury-based medicines were for treating skin sores and lacerations, internal and external parasite infections, syphilis, and constipation, to name but a few. On a side note, an almost identical bottle also containing mercury was found across the river in Fredericksburg at a site that was well known to be a Union field hospital. It was found in a knapsack discarded in a trench that included amputated limbs.

    Lastly, we’d like to highlight one of our favorite artifacts, a tiny hatchet about two and a half inches long, recovered from the bottom of the Civil War trench. For such a diminutive object, it speaks quite loudly to our local history in Fredericksburg, Virginia. Initially, earlier archaeologists at Ferry Farm assumed it was a pewter toy souvenir given out or sold in 1932, when our country and Fredericksburg celebrated the 200th anniversary of George’s birth. Indeed, cheap pewter toys were very popular during this time period.

    A recent reexamination of all the artifacts from the context where the hatchet was found revealed that nothing from that stratum had any 20th-century artifacts in it, nor did the two strata above it. In fact, the youngest artifacts from these strata were all mid-19th century. Additionally, although the archaeologists who excavated the hatchet didn’t know it at the time, the excavation unit from which the hatchet came sat right inside the Civil War-era trench.

    This revelation shut the door on our ‘it’s a 20th-century souvenir’ narrative but opened the door to an even cooler one.  A close examination of the hatchet showed that it didn’t have mold seams, which are always present on cast pewter toys. Furthermore, for some reason, it had one smooth side and one textured side, leading us to believe that it was handmade, not machine-cast. This was supported by a thorough internet search to find an identical toy hatchet, which came up empty, further supporting our new theory that this piece was a one of a kind. The textured side resembled the grain of wood, so we surmised it had been cast in a simple hand-carved wooden mold. All of these clues, combined with its location within a Civil War trench, made us suspect that the hatchet was crafted by a soldier, likely from a lead Minié ball. The hatchet is likely ‘trench art’, which is defined as objects of art either made by soldiers, POWs, or by civilians to create mementos of the war experience.

    To further support our identification of the hatchet as trench art, we took the artifact to the Virginia Department of Historic Resources, where Katherine Ridgeway analyzed it using XRF, or X-ray fluorescence analysis. This non-destructive technique determines the composition of metal. We also brought along a few Minié balls recovered from the same unit for comparison. It turned out that what we thought was a pewter hatchet was actually a lead hatchet with a similar compositional profile to Minié balls, which are mostly lead with trace amounts of other metals such as tin and nickel.

    One can just imagine a bored Union soldier whittling the mold and then melting down some of his bullets to pour into it. He likely chose the hatchet form because of the famous cherry tree story, in which young George Washington owned up to hacking his father’s cherry tree with a hatchet by proclaiming, ‘I cannot tell a lie.’ The soldier would have been well-versed in the Washington cherry tree myth at Ferry Farm, created by Mason Locke Weems in his first biography of Washington, published in 1800. By the 1860s, the story was nationally known. Additionally, letters Union soldiers wrote while encamped at Ferry Farm indicate they knew the site’s connection to Washington. They even went so far as to send home cherry seeds for their families.

    Grant Wood — Parson Weems’ Fable (1939)

    While the identification of the hatchet is now secured, we have so many more questions. Who was this soldier? How many hatchets did he make, and why did this one come to be left behind in his trench? Was it a souvenir for himself, or did he send one home to his family, or share with fellow soldiers?  Did he survive the war? Unfortunately, these are mysteries that will likely never be solved, but that make for great pondering.

    Mara Kaktins, Archaeologist and Lab Manager

    Judy Jobrack, Archaeology Co-Field Director

  • It’s That Time of Year Again: 2025 Dig Preview

    It’s the most wonderful time of the year! There’ll be dirt out for screening, ceramics for cleaning, and lots of good cheer…. Okay, sorry, that might be a little too far. But it is a super exciting part of the year here at Ferry Farm, George Washington’s Boyhood Home. We have officially started this summer’s dig season!

    Building off of the previous two years’ exploration of the kitchen site, we are revisiting the 18th-century kitchen cellar again this year. While last year’s dig focused on locating and exposing the kitchen’s stone wall foundations, our focus this year will be excavating the fill within the cellar walls that had been deposited as a result of a fire sometime in the 1740s. The fire caused the building to collapse in on itself, filling the cellar space with ash and debris.

    Excavating sites like this are very exciting because they represent preserved moments in time, leaving the possibility to find artifacts left in situ or in place, when the fire occurred. It is likely that most of the artifacts excavated will have evidence of the extreme heat caused by the fire. Toasty artifacts from the 2023 preliminary kitchen exploration have been washed and catalogued, showing damage to artifacts, such as glass bottles and ceramic storage vessels, ranging from being slightly charred and burnt to being completely melted. Toasty or not, these artifacts will help us nail down the date of the fire and what was being stored in the kitchen cellar when it went up in flames.

    Our 18th-century kitchen, unfortunately, lies beneath the foundations of two farmhouses with full cellars dating from the 19th and 20th centuries. The construction of these homes severely impacted the kitchen structure and its burnt cellar fill, making it difficult for our archaeologists to accurately interpret the kitchen’s architectural features. A small portion of the kitchen cellar fill was also the subject of previous archaeological excavations in the 1990s, so we are not the first team to sample the fill. But in the interest of site preservation, the kitchen remnants were covered over twenty-five years ago with protective geofabric, and the farmhouse cellars backfilled completely with sand.

    Luckily, we had the help of an excavator at the beginning of this season to remove the five feet of protective sand covering the kitchen cellar fill so we could get to the fun stuff sooner! But our fun isn’t restricted to the cellar, as we still have multiple 5” x 5” units around the outside of the kitchen foundations to investigate. Our team is still trying to locate the midden (trash deposits) and fireplace associated with the kitchen, as well as additional architectural evidence that would give an idea of the overall form and dimensions of the complete kitchen structure.

    Every excavation year brings new and exciting finds as we sift through thousands of years of site habitation. Come visit us while we dig weekdays from opening until 3:30 pm through July 11th. Hope to see you there!


    Danielle Arens and Judy Jobrack

    GWF Archaeologists

  • Making our mark…on the laundry

    18th-century household linen management and its 21st-century historic house equivalent

    For the modern historic house museum collections staff, the care and cleaning of our spaces and objects are some of the most important tasks we do.  Proper dusting and routine cleaning helps preserve historic objects, vacuuming floors and wiping down woodwork help to maintain our historic interiors, and rotation of sensitive works help to prolong their life through limited light exposure and other environmental impacts.

    In January and February each year, when the Historic Kenmore and Ferry Farm sites are typically closed to the public, the curatorial staff is able to access the spaces to conduct inventories and condition assessments of objects…and to clean. Spring cleaning at the Washington House this year involved quite a bit of teamwork between our curatorial and buildings & grounds staff—fresh coats of whitewash went up on high-traffic areas of this historic recreation, and the wooden floors were vacuumed, spot-cleaned, and mopped to remove built-up dirt from tours and other activities.

    Low-post bedstead in the Hall Back Room piled high with reproduction bedding.

    Maintaining the bedsteads of the Washington House is an ongoing task for our interpretive staff, as they tidy and straighten the sheets and pillows that are moved about by visitors (something we encourage and celebrate!) during their immersive tour experiences.  This year, as we (the curatorial staff) conducted our spring-cleaning routine, we tightened the bedstead ropes and refreshed the bedding to prep the house for another busy year.  But as we went about conducting our room-by-room inventories and pulling bedding out for washing or airing, we uncovered an issue: many of our modern museum object labels for the sheets and pillowcases had become unreadable.

    White linen reproduction bedsheet with its twill tape label (sans number).

    Marking textiles in a museum collection typically entails a small length of twill (woven cloth) tape, a handwritten or applied object number, and small stitches to attach the tape to the textile object.  But for our reproduction bed linens on the bedsteads of the Washington House, these labels no longer were readable due to laundering—the “permanent” number used just didn’t last.  So what are our options?

    As we like to do, we turned to the past for an understanding of what might be a better, but still historically accurate method for marking our linens.  One such resource we turned to was cookery and household books of the period.  The Workwoman’s Guide, for example, includes a number of receipts (or instructions) for making marking ink as well as detailed instructions for marking household linens with thread.  In marking of linens, according to the author (A Lady), the textile would be marked with either the husband’s initials or the wife’s first name along with husbands initials, followed by an abbreviation of the type of article, and finally by the number and a date marker (last two digits of the year, for instance). 

    Receipt for “Permanent Ink for Marking Linen.” from The workwoman’s guide : containing instructions to the inexperienced in cutting out and completing those articles of wearing apparel, &c. which are usually made at home : also, explanations on upholstery, straw- platting, bonnet-making, knitting, &c. By A Lady (1838) via Smithsonian Libraries and Archives on Archive.org

    Existing household linens in museum collections and references in the written record indicate that some were in fact marked with numbers or initials/names (or both) to enable the items to be tracked and inventoried, although the exact combination of numbers and letters seem to vary, likely based on a complexities of the household and its linen inventory. The probate inventory taken after Augustine Washington’s death in 1743 records a variety of household textiles at Ferry Farm, including tablecloths, napkins, pillowcases, sheets, and towels.  The appraisers, however, make no note of whether these textiles were marked in any way (just noting materials or other descriptors and quantity). 

    Excerpt of 1743 probate inventory of Augustine Washington listing “Linnen,” including 6 Diaper Table Cloths, 10 Napkins, 6 pr Sheets, 10 White Linnen Napkins, 11 pr Pillow Cases, 8 Towells, 5 pr White Sheets, 5 pr brown Do. [Sheets], 6 pr Pillow Cases, 12 Towels, 7 Table Cloths, 11 Old Napkins, and 12 Oznabs Napkins. Inventory submitted 1 July 1743 to King George County court.

    The archaeological record of Ferry Farm includes a number of implements related to sewing, as touched upon in past blog posts such as this one or this one about thimbles.  Our own museum collections house a few 18th or early 19th century sheets or other household linens, some of which have been marked in ink or stitching with (unidentified) owners’ initials/names and dates, much in keeping with the instructions outlined in period references such as The Workwoman’s Guide and other household manuals.

    Sample layout and makeup of marks to include owner’s initials, item identification, number, and date. Excerpt from The workwoman’s guide (1838) via Smithsonian Libraries and Archives on Archive.org

    So, for our modern museum inventory management purposes, I think we’ll be skipping the caustic nitrate of silver or crunchy cochineal beetles for coloring and stick to the needle and thread method of marking our reproduction bedding and other textiles.  As suggested by A Lady, the Washington House marks will include both Mary and Augustine Washington’s initials along with notations of item type (such as WS for the five pairs of White Sheets listed in the 1743 inventory) and date of creation (for many of these reproduction linens, that would be 2018 or 2019).  I’ll be getting my needle and thread ready so that next year’s inventory and spring cleaning will hopefully be easy-breezy.

    Gretchen Goodell Pendleton

    Aldrich Director of Curatorial Operations

  • One Man’s Trash is Another Man’s TPQ: Modern Materials in Archaeological Excavations

    Archaeology is trash. There, I said it. Before you call Mr. Jones and have me thrown in a pit of snakes, let me explain. Generally speaking, archaeology focuses on understanding the past through the items that people left behind, i.e., their trash.  Most of the things we find are left around because they were broken or no longer needed. Disposal of these items looked much different before modern garbage collection as we know it today. Rather than trashcans and landfills, trash was often thrown outside of the home or workspace near windows and doors or any other designated disposal areas. These areas, also known as middens, usually have a high number of artifacts and are top-tier when it comes to understanding a site. So, in other words, archaeology is trash, and we love it.

    Most people can get behind the archaeologists saving the trash that’s hundreds or thousands of years old, but things are a little different when it comes to saving more modern materials like plastic.  When visitors or volunteers see things like plastic bottle caps or food wrappers in our bags to bring back to the lab, they usually have a few questions. Like, “Did you mean to keep this?” Or “Why are you keeping this trash?” Here at Ferry Farm, we don’t pick favorites, every bit of trash can tell us something about the site and how it has been used.

    One-way modern materials can help us understand a site is by helping us determine the Terminus Post Quem (TPQ), or “time after which,” of a layer. The TPQ is determined by identifying the earliest production date of the most recently produced item. For layers deposited before the widespread use of plastics, ceramics are usually used for determining the TPQ because they are datable (temporally, not romantically) since most have very specific production dates, and they also hold up pretty well under ground. For example, when looking at the ceramics in a layer with tin-glazed wares, Buckley, and creamware, the TPQ would be 1762 since that is the earliest production date of the most recently produced ceramic (creamware).  All the items in the layer had to have been deposited after that date.

    The same idea works with modern synthetic materials like plastics, which are usually found at sites that have been used within the last 100 years.  If there were to be some plastic soda bottles, weed eater line, and styrofoam in a layer, the TPQ would be 1978. While these materials may also be items you have in your home, not thought to be worth collecting and preserving, their presence in a layer helps provide a date. They can also tell us if an earlier layer was disturbed.

    When archaeologists talk about disturbed layers, we aren’t judging their emotional state or love of 2000s heavy metal.  Instead, when a layer is described as disturbed, that means there was some sort of activity happening after the initial deposition that affected that layer. During last season’s dig, there were layers with a mix of colonial, prehistoric, and modern materials that indicated that the area was disturbed by some subsequent activity. The information gathered by the presence of modern materials is important for the interpretation of the site and its use over time. 

    Example of a disturbed layer– Artifacts include prehistoric flakes and fire-cracked rock, colonial items like tobacco pipe stems, Civil War Minie balls, and modern-day plastics

    Now that we know why we keep this so-called modern trash.  Here are a few examples of how the presence of these items helped our archaeologists understand a part of our site.

    My favorite example happened during last year’s dig. One of our crew, Abbie, was preparing a feature for photographs and had to keep clipping pesky hairlike roots that were in the way. After a bit of excavating, it turns out the “roots” were bristles from a plastic broom. The broom dated the feature fill to the late 20th century and got to the root of the hairy soil issue.

    Pesky broom in feature

    Our staff has numerous examples of these modern materials being used to help identify previous archaeology as well, from candy wrappers at the bottom of shovel test pits and trenches to an entire trowel! While things like plastic trash bags and food containers aren’t the most exciting to find, they play a part in interpreting the history of activities on the site.

    Once something is left behind, it becomes part of the archaeological record, whether it was 10,000 years ago or yesterday’s lunch.  What does your trash say about you?


    Danielle Arens

    GWF Archaeologist

  • From the Vaults: Rarely Seen Documents

    Some of the most delicate objects in our collection are our archives. Paper and other document materials like vellum and parchment are very sensitive materials that can be irreversibly damaged simply by light.  This makes it very difficult to display or put on exhibit for extended periods despite our comprehensive policies for conserving and preserving documents; exhibition has always been unfeasible.  To remedy this, we have been working on getting archival-safe, high-quality images of our important documents online for everyone to access.  So, while you might not see the documents in person, you can still explore, read, and learn about these important papers while we preserve them for future generations.     

    Until we launch our online archives, I wanted to give everyone a sneak peek at a few of our incredible pieces.

    One of our oldest documents in the collection is a Land Grant signed by William Gooch on September 28, 1730, written on vellum.  William Gooch was a colonial administrator who served as governor of Virginia from 1727 to 1749.  The grant is not in the best condition, but it reads that it grants 400 acres in Spotsylvania County to Paul Plunkepee.  This grant is officially recorded as Land Office Patents, No. 14, 1728-1732, page 40, and is available at the Library of Virginia.

    One of our most unique documents is a letter from George Washington to Lieutenant Governor Robert Dinwiddie, written on June 10, 1752, when he was twenty.  Robert Dinwiddie served as Lieutenant Governor of Virginia from 1751 to 1758.  In the letter, George requests his first military appointment to the open adjutancy of the Northern Neck or other district.  George’s half-brother Lawrence had been appointed Adjutant General of the colony in 1743.  Due to his illness and eventual death, the adjutant was to be divided into smaller districts (i.e., Northern Neck).

    Dinwiddie declined the appointment but assigned George to an envoy position that winter to confront the French, who had recently built a fort on what Dinwiddie considered British land.  Additionally, George met with the Iroquois Confederacy to make peace and obtain intelligence about the French.  

    This amazing letter pinpoints the beginning of George Washington’s illustrious military career, which would eventually culminate in him becoming the first President of the new United States of America.  The letter is in great condition after meticulous conservation work, which included repairs with Japanese tissue called tengucho and wheat starch paste called jin shofu.  It was then cleaned and flattened, and the iron gall ink stabilized.

    A transcript of the letter can be found on the National Archives website at Founders Online.

    Next are two letters between George Washington and Irish-born publisher Matthew Carey.  Matthew Carey moved to America in 1784 and settled in Philadelphia, where he established a publishing business and bookshop with $400 given to him by the Marquis de Lafayette.  Carey’s first publication was The Pennsylvania Herald in 1785, followed by two of the first successful American magazines, The Columbian Magazine and The American Magazine in 1786 and 1787.

    In George’s first letter to Carey in 1785, he requests a subscription to Carey’s newspaper but asks him to send the newspaper disguised as an ordinary letter because George has been having problems with the post office delivering his newspapers .  George thinks his papers may not have been delivered because “persons who wishing to read News Papers without being of the expence [sic] of paying for them, make free with those which are addressed to others.”

    The second letter between George and Matthew is dated June 25, 1788.  The year before, Carey launched “The American Museum” magazine.  It was a literary museum that reprinted significant historical documents on American history and original essays on politics, commerce, and culture.  The magazine got a positive response, but Carey was finding it expensive to distribute the magazine across the country, so he asked George, one of his first subscribers, to write an endorsement for the magazine that would help attract new subscribers.[2] 

    Washington responded immediately, seizing the opportunity offered by Carey to express his belief that the free dissemination of information and ideas was vital to preserving American liberty.  ‘I could heartily desire,’ Washington wrote, that ‘copies of the Museum and Magazines, as well as common Gazettes, might be spread through every city, town & village in America – I consider such easy vehicles of knowledge, more happily calculated that any other, to preserve the liberty, stimulate the industry and meliorate the morals of an enlightened and free People.”

    Carey published Washington’s endorsement in the next issue of his magazine—his marks for the typesetter can be seen in the original Washington letter.  The result was a flood of new subscriptions that allowed Carey to continue publishing The American Museum for another four years.

    Transcripts of the letters can be found on the National Archives website at Founders Online.

    These are just a few of the amazing documents in our collection, which we hope to bring you soon so that you can explore them yourself.  Check back often, and we will keep you updated on our progress with our digitization project.

    Heather Baldus

    Collections Manager


    Bibliography

    Edd Applegate (August 17, 2012). The rise of Advertising in the United States: A History of Innovation to 1960. Scarecrow Press. p.25.

     

  • Pull Over!! The Virginia Highway Historical Markers of The George Washington Foundation

    As you drive down the road, sometimes, there are enough signs to make your head spin.  It can be tempting to just drive by these stark white cast iron road markers with black text when you see them.  Even so, sometimes you can’t help but let a word or a phrase catch your eye, sparking curiosity as you continue on with your travels.

    “Highway markers near Seven Pines, VA” courtesy of the Library of Virginia. (Virginia State Chamber of Commerce)

    The Virginia Highway Marker program is the oldest one of its kind in the United States (Virginia Department of Transportation, n.d.).  In 1927, State Route 1 was freshly paved and ready for new motor vehicles to coast down from Washington, DC to Richmond. (Virginia Department of Transportation, 2006).

    Drivers were given a red carpet to travel straight to what many viewed as the birthplace of our nation, George Washington’s Mount Vernon. Thousands began their pilgrimage. Hotels, motels, gas stations, and attractions began to pop up along the path.

    “Moorestown High School Class of 1927” posing in front of Mount Vernon

    With all these new travelers who appreciated their state’s history, William E. Carson of the Conservation and Economic Development Commission erected several markers along the road, designating historic areas of interest and turning the roads into an attraction. (Virginia Department of Transportation, n.d.).

    Fabricating the markers was a beast to tackle since the traditional method of construction would have been granite.  Unfortunately, the stone was a bit too pricy and was also found to be difficult to read at the lightning-fast 25 mph speed limit.  Aluminum was an option for its lightweight and non-corrosive nature, and in fact, many early signs were manufactured from the metal, although they were quickly found to crack easily.  They were replaced with cast iron, and cast metal has been the preferred method of construction ever since (Rachal, 1949).

    Two of our three markers were first seen in the early years of the program. The oldest of our three was also the one that had the least amount of time in the light.  The Accokeek Iron Furnace marker (E-49) is located off Courthouse Rd in Stafford near an archaeological dig site owned by the George Washington Foundation. The modern iteration was erected in 1998.

    Accokeek Iron Furnace: The Principio Company constructed the Accokeek Iron Furnace nearby about 1726 on land leased from Augustine Washington (father of George Washington), who became a partner. After Washington’s death in 1743, his son Lawrence inherited his interest in the company and the furnace. When he in turn died ten years later, his share descended first to his brother Augustine Washington Jr. and later to William Augustine Washington. The archaeological site is a rare example of an 18th-century Virginia industrial enterprise. It includes the furnace location, the wheel pit and races, a retaining wall made of slag, an extensive slag dump, and mine pits.

    This text is not what was written prior to 1930. Those signs were brief, containing only a sentence or two for motorists to read as they drove by.  Between 1927 and 1930, though, cars sped up.  Where they were once going 25 mph, they were soon going 40 mph or even rocketing 50 mph down the highways!

    Trying to read the markers while driving quickly became impossible. The Commission’s solution? Publish a booklet with each highway marker printed and arranged neatly for passengers to read as they traveled.  All you had to remember was the marker’s number or title.  The first of these booklets were distributed in early 1930, free of charge (Rachal, 1949).

    This edition contains the earliest record of the Accokeek marker, then titled “Ancient Iron Furnace,” and reading only: “Here on Accokeek Run were iron mines and a furnace in which Augustine Washington, father of George Washington, began to smelt iron in 1727.”

    Unfortunately for our little marker, this was the last time it could be featured in the booklet. Disaster struck in late 1930. Engineer P. W. Snead wrote to the Commission on December 19th to report that the sign was found that morning, knocked from its post, and shattered.  The commission wrote back a few days later, asking for the aluminum pieces to be gathered and sent back since the factory would refund them for the parts.  (Library of Virginia Archives, 1930). The Accokeek marker was not restored until 1998, 68 years later, as part of a federal grant, according to the manager of the highway marker program, Jennifer Loux.

    The “Washington’s Boyhood Home” marker is also found in the booklet’s first edition, and its modern counterpart is now at the entrance to Ferry Farm.  Although there are no records of the sign being damaged prior to its replacement in 1997, after exposure to the elements for almost 70 years, it was probably time for a refresh.

    Alternatively, the motivation for the marker’s replacement (likely from the same federal grant) may have come from historical inaccuracies. The original text of the marker reads:

    “Washington’s Boyhood Home: At this place, the Ferry Farm, George Washington lived most of the time from 1739 to 1747. Here, according to tradition, he cut down the cherry tree. Washington’s father died here in 1743. The farm was his share of the paternal estate.”

    We now believe that the Cherry Tree story was likely an exaggeration or a myth, and so the verbiage was changed on the modern marker. Many old highway markers contained inaccurate information, as is often the case with many historical resources. As technology and research evolve over time, so does what we know. Another example of this never made it to the press, but early drafts of the marker’s text include his attendance at the “Old Field School.” We have since learned that there is no documentation of Washington ever attending a formal school in his life.

    The current marker was installed in 1997, the same year the George Washington Foundation obtained the property, and the sign continues to greet visitors to this day.

    George Washington’s Childhood Home: The Washington family moved to a plantation here in 1738 when George Washington was six years old. Along with his three brothers and sister, young Washington spent most of his early life here, where, according to popular fable, he cut down his father’s cherry tree and uttered the immortal words, “I cannot tell a lie.” His father, Augustine, died here in 1743, leaving the property to him. His mother, Mary Ball Washington, lived here until 1772 when she moved to a house in Fredericksburg that Washington bought for her.

    Our third marker is different, having not been placed until 1995.  At this point in time, the highway marker program had been passed around, with different organizations all bearing the burden of putting up new signs and maintaining the old ones.  It first passed hands in 1949 to the Virginia Department of Highways, who, after a year, handed the responsibility off to the Virginia State Library.  In 1966, it was traded again and is now operated by the Virginia Department of Historic Resources in collaboration with the Department of Transportation (Virginia Department of Historic Resources, n.d.).

    Former director of the Kenmore Association (now the George Washington Foundation) Vernon Edenfield wrote to the DHR proposing the marker. The Association paid for the manufacturing out of pocket. You can now visit it along Caroline St, four blocks from Kenmore, in front of Fielding Lewis’ storefront.

    Kenmore: Four blocks west stands Kenmore, built in 1775 by Col. Fielding Lewis for his wife, Betty, sister of George Washington. Near here, between Kenmore and the Rappahannock River, stood Lewis’s warehouses and docks. Kenmore’s intricate plasterwork is the finest in the country. Among 19th-century owners and occupants were Samuel Gordon, who named it Kenmore, and William Key Howard Jr., who restored and embellished the mansion’s plasterwork. Washington and other Revolutionary leaders often visited, and during the Civil War, Union troops used it as a hospital. The Garden Club of Virginia, starting in 1929, rehabilitated Kenmore’s gardens as its first restoration project.

    Although you might think after nearly 100 years of recording and presenting history that the Virginia Highway Marker program has run out of ideas, you can’t be further from the truth.  New markers are being planned constantly, and more gaps in history are being filled each year. In Fredericksburg alone, there are plenty more markers commemorating the city’s rich history.  If you feel there is an opportunity for a new marker somewhere, you can submit a proposal through the DHR’s website.

    The unveiling of the new Freedom Rides marker in 2021 at the site of the old Greyhound bus depot on Princess Anne St, which was proposed by staff and students from the University of Mary Washington

    History can be found anywhere if you know where to look, and the Virginia highway markers are a testament to that.  Be sure to keep an eye out for them on your next drive!

    Sarah Alden

    Manager of Visitor Services and Interpretation


    Bibliography

    Laiacona, J. (2021, May 4). Marker Furthers UMW Mission on Freedom Rides’ 60th Anniversary. Retrieved from University of Mary Washington: https://www.umw.edu/news/2021/05/04/marker-furthers-umw-mission-on-freedom-rides-60th-anniversary/

    Library of Virginia Archives. (1930). Virginia

    Mount Vernon. (n.d.). Historic Preservation at Mount Vernon. Retrieved from George Washington’s Mount Vernon: https://www.mountvernon.org/preservation/historic-preservation-at-mount-vernon#main-content

    Prats, J. J. (2010, October 23). State Historical Markers Numbering Plans. Retrieved from The Historical marker Database: https://www.hmdb.org/m.asp?m=2

    Rachal, W. M. (1949). Historical Markers on Virginia Highways. State and Local History News, 151-153.

    Virginia Department of Historic Resources. (n.d.). Historic Markers. Retrieved from Virginia Department of Historic Resources: https://www.dhr.virginia.gov/programs/highway-markers/

    Virginia Department of Transportation. (2006). A History of Roads in Virginia: “The Most Convenient Wayes”. Richmond: Virginia Department of Transportation Office of Public Affairs.

    Virginia Department of Transportation. (n.d.). Historical Markers. Retrieved from Directional Signing Program: https://vaidsp.com/historicalmarkers/

    Virginia State Chamber of Commerce, a. L. (n.d.). Highway markers near Seven Pines, Va. Picture Collection.

  • Archaeology Is Not For The Faint Of Heart – But We Love It Anyway

    A lot of people have told me that they want or wanted to become archaeologists.  I always find this flattering.  Yours truly was only in my single digits when I declared the same to my family and anyone who would listen.  After reading every National Geographic magazine I could get my hands on, ‘excavating’ abandoned houses and bottle dumps on or near the property where I grew up, and too many years of schooling than I am willing to admit…. here I am today.  I am an archaeologist of 25 years.  That being said, it is not an easy profession to get into.  To wedge your way into this field, it is recommended you have an obsession with learning, stubbornness equal to a Black Friday shopper outside a Target in 20-degree temperatures at 3 am the night before, a hefty amount of luck, the willingness to obsess over dead people’s broken garbage, and just to be sure it would help if you’re at least a little bit mad. 

    Happy archeologists!

                    Now, I am an archaeology lab manager in our museum, which means I enjoy the comfort of climate control, access to bathrooms, an office, and a place to store my breakfasts and lunches.   But, like most archaeologists, I had to cut my teeth in the field (digging outside), which lacked all the above amenities.  This is where many archaeologists figure out if they genuinely want to go through with the folly they have embarked upon.  Many decide they do not and switch majors.  Good for them; they likely make more money than most archaeologists.   But could it really be that bad?  Isn’t it fun finding cool stuff?  Yes, of course.  But here are all the obstacles those noble field archaeologists face daily:

    • Bugs. Lots of them.  Bugs have taken down many of my brave colleagues.  Forget the snakes (Unlike Indiana Jones, most of us like snakes) and spiders.  I am talking about chiggers and ticks.  No one gets just one chigger bite.  They hang out in gangs of hundreds, and you will not know they have bitten you until they have had their fill of your yummy body juices and peace-ed out.  Hours later, you’ll notice around your ankles and waistband the unbelievable itching of dozens of bites that will haunt you for weeks.  Ticks are worse.  Way worse. Ticks carry diseases that can be very serious, including Lyme and Rocky Mountain Spotted Fever, both of which should be avoided at all costs. Don’t forget bees, hornets, and wasps.  No archaeologist worth their salt is without a harrowing tale of valiantly battling or running the heck away from a swam of ticked-off single-minded, murderous, flying, stingy wingy thingies.
    • Plants that will make you wish you were never born.  Let’s start with some annoying and inconvenient but not diabolical plants: Those with thorns.  After being told by your crew chief that you need to hack your way through a six-foot-tall thicket of blackberries, multiflora rose, devil’s walking sticks (Yep, that’s a thing), cacti, or thistles in order to dig one tiny shovel test pit you WILL begin to question your life’s choices.  However, for those who are allergic to poison ivy, oak, and/or sumac (and it’s most of us), your field career will be a constant battle where your enemy has highly transmittable and very toxic poison juices in every single part of them (even the roots) while you are armed with a bottle of calamine lotion.  Those field archaeologists who do not get poison ivy will make fun of you and flaunt their superpowers, but just remember they’ll get theirs because the more you’re exposed to these plants, the more likely you are to feel their wrath. 
    • Ancient Curses.  No, you should NOT read that inscription on the 3,000-year-old tablet found in that tomb with all the warnings engraved on the entrance.  If I had a nickel every time I had to tell a member of my crew to drop that darn ancient idol that’s started to glow red inside and run, I’d be able to pay off my student debts.  Just kidding, that will never happen. 
    Unbroken seal of King Tut’s tomb…maybe just leave it.
    •  This one is very serious and should never be taken lightly by anyone working outdoors because they take anyone by surprise just like that. Dehydration, heat stroke/exhaustion, sunburn, and frostbite. Field archeologists must dig in almost all conditions and all seasons.  They are wind-worn and road-weary, and you should not mess with anyone who can dig dozens of holes a day in temperatures above 100 or below freezing. 
    •  Animals.  I’m not talking just about the wild ones.  I’ve only ever seen a bear in the woods once, just a few harmless snakes and maybe a couple of bucks that gave me the side eye.  But I have had years knocked off my life by pheasants or tiny fawns exploding out of the brush a foot away from me.  For the most part, pets are not an issue, and petting a friendly dog or cat is a welcome reprieve from digging holes.  Livestock, however, would scare my crews.  I grew up on a farm, so I knew what animals didn’t want to snuggle.  Here’s the thing, though.  Cows are bored and extremely curious when something or someone spices up their daily routine.  It’s hard for someone from the city to calmly stare down a herd of Holsteins weighing 1,500 pounds each while they barrel towards you.  But all they want is to sniff you, rifle through your dig kit, and lick your equipment because it’s salty.  Annoyingly, they will also eat the plastic flagging tape that you carefully tied up to mark your transect line.  So will deer, fun fact. 
    •  Unexploded ordinance (UXO).  Gunpowder does not necessarily become so old that it won’t go boom any longer.  It actually becomes less and less stable.  Sure, that cannonball you found is cool.  Sure, it’s super old.  Stay.  Away.  From.  It. Military bases and old battlefields are ripe with potentially dangerous mortars, shells, grenades, and bullets. Unfortunately, here in Virginia, there are cases of collectors who have brought finds home from Civil War battlefields only to find out the hard way that these artifacts can still do a lot of harm. That being said, you’d be surprised at all the places archaeologists have found things that can explode.  I worked on a project in a former neighborhood, so imagine our surprise when a pit in the backyard of a house was found to contain dozens of WWII live .50 caliber antiaircraft ammunition.  One thing you learn very quickly as an archaeologist is that some people are weird, and they do weird things you will never be able to explain.  The fancy word for this is idiosyncratic behavior, and it’s one of my favorite terms.  It’s the academic way to throw up your hands and say, “I got nothing.”  So, if you find any UXO, contact local law enforcement; they know what to do with it.
    Unexploded Parrott shell, Kennesaw Mountain National Battlefield Park, Georgia
    • Collapsed excavation units. Unstable excavation walls are no joke.  I’ve personally had one collapse on me, and while I was fine, it was still frightening.  Shoring up walls and expanding out before digging deeper can mitigate these issues, but there are many types of soils, and they’re not created equal, so never overestimate the strength of your walls.  Don’t become an artifact yourself. 
    •  Soil contamination/hazardous waste. Archaeologists occasionally run into hazardous waste, which is bad—enough said. Arsenic was a major embalming ingredient in the 19th century, and since archaeologists are frequently called in to identify and remove burials, arsenic is a significant consideration.  It was also used to make a beautiful green color called Scheel’s green, which was used in dying such things as fabric, book covers, and wallpaper.  Imagine wearing a gorgeous Victorian-era dress while reading a book and sitting in a wallpapered room all dyed green with copious quantities of poison. Green is my favorite color but hold the early death, please.  Mercury was considered a type of cure and used to treat various ailments such as syphilis, toothaches, melancholy, worms, tuberculosis, constipation, and apoplexy, to name a few.  It was in perfumes, lotions, soaps, hats, etc….and just like arsenic, it doesn’t go away in the soil.  And if you’re above a certain age, you definitely remember those mercury thermometers that, when broken, produced magical fun silver balls you could roll across the floor until your mother caught you.   Another principal offender is lead.  Humans discovered how awesome lead was thousands of years ago.  Please don’t personally verify this, but somehow, the Romans found that degraded lead was sweet, so they put it in substandard wine to jazz it up a bit.  Lead was also used in cosmetics until embarrassingly recently to produce that immaculate white complexion valued by the upper crust.  YOLO.  Lead was also used in water pipes, paint, glassware, ceramic glazes, and later in plastics and gasoline.  There is so much lead in our environment now that even non-archaeologists are in danger of exposure.  I could go on and on, but it’s time to move to…
    •  Enraged locals and/or property owners.  We get it.  No one wants that pipeline/highway/gas line/sewer to go through their property.  And when it does, the archaeologists have to test that area.  But please don’t run out of your house while visibly carrying a firearm and threaten the archaeologists.  We are the lowest entity on this unpleasant totem pole and unfortunately the first people you’ll see trapsing over your land and digging holes.  This was not our idea; it was our job.  Working on these projects is the worst because people are understandably angry and want to vent, but this is not the way to do it.  Ironically, one of the only things that can stop that pipeline from going through your horse pasture is if we find some amazing archaeological site with immense cultural significance.  This will force a rerouting of the project, so your neighbors will have to deal with the headache. 
    Dealing with enraged locals is a delicate situation

    This is not by any means intended as an exhaustive list, but I’ve already greatly exceeded my word count for this blog.  You get the idea.  So why, you may ask, does anyone become an archaeologist?  Quite simply put, every job has its hassles, some more than others, but most archaeologists really (and I mean REALLY) love archaeology.  The jobs in archaeology may not fit the stereotypes (full disclosure: most of us adore Indiana Jones, though).  Archaeology is rarely glamorous; it can be dangerous or frustrating, but it is, above all else, AWESOME.  Being a part of uncovering human history and sharing information never gets old, and I wouldn’t trade my job for any other. 


    Mara Kaktins

    Archaeologist & Lab Manager

     

  • That’s A Wrap! Ferry Farm’s Dig Season Recap

    October just happens to be Virginia Archaeology Month, and what better way to celebrate than to recap this summer’s excavation at George Washington’s Boyhood Home at Ferry Farm.

    You might remember from our dig preview, that this year’s dig (FF-44) focused on the continued exploration of the 18th-century kitchen site located just northeast of the main house. In 2023, our limited investigations uncovered just a small section of the kitchen’s stone foundation and cellar, giving us a sneak preview of the conditions and parameters of future site work. Armed with this knowledge, our aims this year were to uncover more of the original foundation walls of the kitchen cellar, to uncover additional architectural evidence of the kitchen outbuilding, and explore the surrounding landscape for features. So, did we do it?

    Location of the 18th century kitchen foundation in relation to two later farmhouses dating to 1876 and 1914. 

    We did! But before we get to the fun discoveries, let’s go over how we got there. As far as sites go here at Ferry Farm, this one has been through a lot. Not only did the original 16’ by 16’ kitchen building burn and collapse in on itself in the middle of the 18th century, but it also had two subsequent farmhouses built on top of it that were either moved, damaged in a fire, or demolished all within the last 150 years. A previous archaeology project on the site introduced another element of complexity in understanding the depositional sequence of fills on the earlier 18th-century site, which had obviously been heavily disturbed by all these later events.

    All this led to an interesting excavation. Since a significant portion of the site had previously been excavated in the 1990s, a sizable amount of our site time was spent re-excavating backfilled archaeology units with the purpose of exposing unexcavated layers around the site. Not only would these unexcavated layers allow us to gather new data, but it would also give us the opportunity to better understand the findings as recorded in the earlier reports.

    With the help of our wonderful field school students and interns, we opened a total of twenty-seven 5’x5’ units across the kitchen site. Sifting through the dirt, hundreds of artifacts were found dating to all occupations of Ferry Farm. Super cool finds that date to the 18th-century period of use for the kitchen included tobacco pipe fragments, wine bottle sherds, and a variety of ceramics, including English stoneware, Chinese porcelain, and a German Westerwald ‘GR’ sherd. The prehistoric Native American occupations of the site were represented by an unusually high number of projectile points found (8 and counting!), dating to both the Early Archaic (8000 BC – 6500 BC) and Early Woodland (1100 BC – 500 BC) periods.  Civil War bullets came up in our screens, of course, as did 20th-century plastic, tools, toys, and bottle caps.

    But when it comes to finds, our most exciting discovery did not turn up in our sifting screens.  In fact, it was discovering that the western foundation wall of the kitchen cellar, thought to have been demolished, still survived!  During the 1990s excavations, the archaeologists did not see this portion of the stone foundation and assumed the construction of the 1914 Colbert house had destroyed it. Fortunately for us, it was hiding under a 20th century utility pipe and trench and lay directly adjacent to the Colbert concrete foundation. Now we have all four foundation walls that we hope to fully uncover next year.

    Exposed south and west stone walls of the colonial kitchen lie adjacent to and just outside of the 1914 concrete foundation wall.  
    West wall of colonial kitchen that was hiding under the pipe trench

    Our excavation units surrounding the kitchen foundation have not, as of yet, exposed additional building features associated with the kitchen outbuilding, such as foundations or fireplaces. That search will continue next year as we continue taking those units down and expanding our site area. Features exposed in the 1990s dig, but not excavated by them or us, such as possible post holes and trash middens, also await our return in 2025, when we plan on finishing their excavation.

    Each year’s excavation is built on the work accomplished in the previous years.  With the incredible amount of work done this past summer of exposing the original kitchen foundation, as well as the later farmhouse foundations, removing old fill, and opening up the adjacent landscape, we are looking forward to expanding our investigations of the kitchen site next year.  Stay tuned as we unravel the mysteries that are here at Ferry Farm, George Washington’s Boyhood Home.


    Danielle Arens and Judy Jobrack

    GWF Archaeology Field Directors