The Thriving Theatre of Colonial America

Theatre is one of America’s most popular and thriving art forms. It has been a part of American culture since the early part of the 18th century. The development of theatre in the earliest American colonies in New England was prohibited because of those colonists’ strong Puritan beliefs. Colonial America’s first theater was built in Williamsburg, Virginia in 1716 after a number of English actors arrived in the more-accepting South and began performing plays.  Acting ensembles and student groups performed plays, which for the most part were amateur productions, in makeshift theaters and temporary venues—anything from a barn to a large tavern room. Eventually, theaters were built in other cities like Philadelphia in 1724, New York in the mid-1730s, and Charleston in 1736.

The typical colonial theater was not like the ornate theaters of today. Shaped like a shoebox, the stage occupied one-third of the space. The seating took up the remaining space. All different walks of life and classes came together to enjoy theatre performances from the boxes, the pit, or the gallery. The box seats were reserved for the wealthy, whose objective was to be on display for everyone while watching the play. The boxes were raised on the sides of the theater and faced each other and not the stage. The “middling sort” or middle class sat on the theater’s floor in the pit on wood benches. George Washington, a devoted fan of theatre, was said to have preferred watching from the pit despite being of the higher gentry class than other patrons seated there. The gallery was for the “lesser sort”—students, sailors, and even slaves – and was located in the area we’d call the balcony. In England, the lower sort could determine a play’s success and became known as “the gallery gods.”

Royal Theatre, Drury Lane 1813

This sketch of the Theatre Royal, Drury Lane, London in 1813 — not long after it opened — gives an idea of how one of the world’s finest theaters appeared in the early 19th century. Colonial America’s theaters would not have been this elaborate. Indeed, many of the acting companies traveling in the colonies performed wherever they could. Performances usually took place in taverns but sometimes even in barns. Credit: Public domain.

William Hallam and his brother Lewis Hallam were the first to organize a complete company of professional actors called The London Company of Comedians in Europe to bring to the American colonies. They had seen moderate success but then eventual failure in England, so they decided to try their luck in America. They had their first performance in Williamsburg in 1752, where they rented a large wooden structure which they altered to meet their needs. Their opening play was Shakespeare’s The Merchant of Venice, and music was supplied by a single player on a harpsichord. It was said that the venue was so near the forest that the players were able to shoot wild fowl from the windows of the building.

Nancy_Hallam_as_Fidele_in_Shakespeare's_Cymbeline_Charles_Willson_Peale_1771

Nancy Hallam, a niece of Lewis Hallam, as Fidele in Shakespeare’s Cymbeline by Charles Willson Peale (1771). Credit: Courtesy of Colonial Williamsburg Foundation.

Lewis Hallam died in 1754 or 1755 in Jamaica where they had gone to perform, and his widow Sarah married David Douglass, manager of another company in the West Indies. In 1758 the companies merged and returned to New York City with Douglass as manager. The Hallams’ son Lewis Hallam Jr. was an actor and star of the company.  Responding to a growing sense of national pride, they renamed themselves the American Company of Comedians in 1763. They toured and converted theatres up and down the East Coast including the Southwark Theatre in Philadelphia, the first permanent playhouse in America and built in 1766. They also built the John Street Theatre, later known as the Theatre Royal, in New York in 1767. The Prince of Parthia, a Neo-Classical tragedy by Thomas Godfrey, was the first stage play written by an American to be presented in America by professional actors on April 24, 1767.

There were frequent attempts to ban plays during the Revolutionary War including a 1774 decision by the Continental Congress. This was a result of the opposition to British imports, as most plays were from England, as well as objections to the supposed frivolous nature of drama and other entertainments during a dangerous political crisis.

Once America gained independence from Britain, theatre began to flourish again as a national cultural art form. Restrictive wartime legislation was soon repealed and theaters opened across the country, including in formerly anti-theatre New England. By the end of the 18th century, American theatre was a rapidly growing, socially acceptable art-form, and it continues to thrive today throughout the country.

Jessica Burger
Manager of Marketing, Communications, and Technology

View theatre as many did in the 18th century—outside! Shakespeare on the Lawn at Kenmore returns for its fifteenth year with performances of As You Like It—Saturdays and Sundays: June 9-10 and 16-17, 7:00 p.m. Arrive early to tour the mansion and view the refurnishing. Bring folding chairs or a blanket, and maybe bring a picnic supper to enjoy.

As You Like It image

Sources:

Peter Holland and Michael Patterson, “Eighteenth-century Theatre,” The Oxford Illustrated History of Theatre, John Russell Brown, ed., New York: Oxford University Press, 2001: 255-298 http://thowe.pbworks.com/f/eighteenth.century.theatre.pdf [accessed May 25, 2018]

“Theatre in Colonial Virginia,” Colonial Williamsburg Teacher Gazette, April 2006, http://www.history.org/history/teaching/enewsletter/volume4/april06/theatre.cfm [accessed May 25, 2018].

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Lecture – Cabinet of Curiosities: Kenmore and the Evolution of Museum Collections [Video]

On Tuesday, May 15, 2018, Meghan Budinger, Aldrich Director of Curatorial Operations for The George Wsahington Foundation presented a lecture titled “Cabinets of Curiosities: Kenmore and the Evolution of Museum Collections.” Using Kenmore’s collection as a case study, Meghan reviewed 100-years worth of museum curation and talked about some of the most exciting and unusual objects in Kenmore’s collection.

This final lecture in the latest trilogy of Foundation lectures took place at the Central Rappahannock Regional Library in Fredericksburg, Virginia.

Lecture – Credit and Coinage: The Economy in Colonial Virginia [Video]

On Tuesday, May 8, 2018, Cash Arehart, Site Supervisor of the Capitol Building at Colonial Williamsburg presented a lecture titled “Credit and Coinage: The Economy of Colonial Virginia.” Using Kenmore’s Fielding Lewis as an example, he discussed currency, credit, the tobacco economy, and the Transatlantic trade and how they all converged to make Col. Lewis a successful and prominent businessman in Fredericksburg and Virginia a successful colony within the British Empire.

Join us at the library on Tuesday, May 15, 2018 for “Curiosities of Kenmore,” when Meghan Budinger, the George Washington Foundation’s curator, will talk about some of the most exciting and unusual objects in Kenmore’s collection and that are rarely seen by the public. Talk begins at 7:00 p.m. The lecture is FREE and hosted at the Central Rappahannock Regional Library at 1201 Caroline Street, Fredericksburg, Virginia. To learn more, visit kenmore.org or livesandlegaciesblog.org.

Lecture – Betty Washington Lewis and Women’s Health [Video]

On Tuesday, May 1, 2018, Dr. Kelly Brennan Arehart, Manager of Interpretation & Visitor Services at The George Washington Foundation, presented a lecture titled “Betty Washington Lewis and Women’s Health.” Betty Washington Lewis gave birth to 11 children; a feat almost unheard of today.  Kelly explored Betty’s  journey from childhood to womanhood, from maiden to mother, and medical challenges that 18th century women faced.  A cradle to grave examination of women’s heath tells us of the strength and resilience of Betty Washington Lewis and other women who endured at time without anesthetics or knowledge of germs.

Join us at the library on Tuesday, May 8, 2018 for “Coinage and Credit: The Economy of Colonial Virginia,” a lecture about the business and trade of Fredericksburg merchant Fielding Lewis presented by David Arehart, a site supervisor at Colonial Williamsburg.  Talk begins at 7:00 p.m. The lecture is FREE and hosted at the Central Rappahannock Regional Library at 1201 Caroline Street, Fredericksburg, Virginia. To learn more, visit http://www.kenmore.org or livesandlegaciesblog.org.

Snow at George Washington’s Ferry Farm & Historic Kenmore

Historic Kenmore and George Washington’s Ferry Farm experienced a snowstorm on Wednesday, March 21, 20118.  Our staff took these photos of the snowfall from around the Lewis and Washington homes.

We also setup a timelapse camera at the Ferry Farm Visitors Center to capture the snowfall over the course of the storm. Closely watch the pine trees in the video below and you can see their branches droop down as the heavy wet snow weighs them down and then raise back up as the snow started to melt late in the day.

Photos: “Twelfth Night at Kenmore” 2018

Each January, Historic Kenmore presents Twelfth Night at Kenmore, a dramatic theater presentation that imagines the first Christmas that Fielding and Betty Washington Lewis spent in their newly built home. The play is set in January 1776 and that year is not a time for the usual celebration. War brings fear, doubt, and frustration to the Lewis family and their friends.

The 2018 edition of Twelfth Night at Kenmore took place January 5, 6, and 7. Here are a few photos from the performances.