As work continues on the reconstructed Washington family home at Ferry Farm, we archaeologists are identifying items that were owned by the Washingtons so we can eventually fill the reconstructed house with plates, bowls, glasses, and many other objects based on artifacts we’ve discovered. In a previous blog post, we looked at some of the fancy colorless glass that adorned the Washington family’s dining table. While this clear glass definitely dominates our collection, we’ve also discovered quite a few vessels of colored glass including deep cobalt blue, amethyst, smoky quartz, and milky white.
Glass is made from silica sand, soda ash, and lime. Its color is dictated, in part, by impurities in the silica sand such as iron which causes the glass to turn the dark shades of green seen in early colonial wine bottles.
Early glassmakers found ways to reduce the amount of this iron and created colorless glass. Colorless glass was by far the most common used as tableware. Much of the clear glass on Mary Washington’s table was also made with a lead oxide additive, which achieved the desired “crystal clear” look and produced heavier and more refractive table glass.
Early glassmakers also found that when other types of metal oxides were added to the silica sand, soda ash, and lime, the result was different colors of glass. This colored glass could still be infused with some amount of lead oxide to give it clarity.
The glass belonging to the Washingtons discussed below was handmade in the 1700s, meaning it was mouth-blown by a skilled glass blower and, in some cases, hand decorated.
Cobalt Blue Goblet or Wine Glass
Our first piece is a base sherd with partial stem. The beautiful sapphire color of this sturdy stemware was created using cobalt oxide as a coloring agent.
Cobalt Blue Goblet Base
Likely made in England, it has a rather hefty base compared to our other stemwares and belonged to a goblet or wine glass. Any number of beverages could have been held in this glass, although today we commonly associate goblets with water and wine glasses with, well, wine.
Cobalt Blue Goblet
Smoky Quartz Wine Rinser
The wine rinser has passed out of use in modern society. It was used on the formal gentry table for washing wine glasses between uses or meal courses. When a new wine was brought to the table, the glasses would be placed in the rinser to flush the previous wine from the glass. The small spouts on either side are meant to support an upside-down wine glass by the stem in water.
Wine Glass Rinser with Wine Glass
Not only did tableware like this reflect wealth enough to afford multiple wines and meal courses, it was also a colorful piece that stood out among the colorless wine glasses on the table. The smoky-colored lip fragments and the thin, blue green fragments in our collection are believed to be from two different wine rinsers.
The smoky fragment is a rather unusual color but was created with similar metal oxides as the blue/green piece. Greys, greens, and colors-in-between are created using mixtures of iron, chromium, and copper. Adding cobalt to this mix created variations of blue/green.
Thin blue-green fragment of a wine rinser discovered at Ferry Farm.
Sherd of a Smoky Quartz Colored Wine Rinser excavated at Ferry Farm. A portion of the small spout is visible.
The amethyst rinser pictured below is from our own collection at Historic Kenmore. Amethyst glass was created using manganese and sometimes nickel.
Amethyst Wine Rinser from the Historic Kenmore collection.
Enameled Milk Glass Tumbler
This tumbler or beaker fragment is made from opaque white or ‘milk’ glass and was produced by adding tin or zinc oxides, fluorides, and phosphates to the glass. Germany was known for its production of milk glass but it was produced in other parts of Europe as well. In general, tumblers were used for mixed alcoholic beverages and, like other table wares, reflected the status the owner wanted to present to visitors. Although it is difficult to see, this vessel was hand-painted or ‘enameled’. Centuries in the dirt were not kind to the decoration, however, and we are left only with a ghost of the original painting known as a ‘fugitive design’.
Milk glass with fugitive design recovered by Ferry Farm archaeologists.
At one time, this glass was vibrant and colorful and was likely gilded with gold leaf like the German example pictured below.
We only have a small fragment of deep purple amethyst glass, and cannot determine a vessel form without a bigger piece.
Small piece of amethyst glass recovered archaeologically at Ferry Farm.
Again, like with the other colored pieces of tableware, amethyst was for formal dining and a showpiece to visitors. The shape and faceting of this fragment may have resembled this circa 1800 amethyst goblet.One of the rarer table glass colors is Amethyst. As mentioned earlier, this color was created with the addition of manganese and sometimes nickel as a coloring agent.
Follow Lives & Legacies for updates on the Washington family’s glasswares we are identifying at Ferry Farm. More discoveries await!
Elyse Adams, Archaeologist
Artifact Cataloger & Field Monitoring Technician
Mara Kaktins, Archaeologist
Ceramic & Glass Specialist
Mackay, James. Antiques at a Glance: Glass.PRC Publishing Ltd. London. 2002. Print.