Lives and Legacies

Tag: gothic arches

  • Wish You Were Here: Historical Documentation Through Postcards

    Postcards were a staple of vacations.  Collected and sent back to friends and family so they could be part of your adventures. Many of us can remember trying to pick up postcards on the first day of vacation to get them in the mail quickly so they would arrive back home before you. 

    Postcards were created in the mid-nineteenth century, and through the decades, they were mass-produced with popular scenic images and were inexpensive, so many people picked up postcards to document their vacations rather than taking pictures.    Their popularity and collectability mean that boxes and boxes of old postcards can be found in antique stores and flea markets. 

    While postcards are amusing souvenirs and a source of nostalgia, they can also offer us important insights into the evolution of historic sites and cities.  Postcards of Kenmore have helped us document the restoration of the house, the development of the property, and past interpretations, even providing documentation of collection items for which we may not have records.

    For your enjoyment, I’ve selected some of my favorite postcards to showcase how they’ve documented the historical restoration and interpretation of Kenmore.

    Exterior: Pre-Restoration

    Kenmore has always been quite the showpiece, even when it was privately owned.  One of the earliest postcards of Kenmore’s exterior is dated 1908, as indicated by the postmark.  The Howard family owned the house until it was acquired by E.G. Heflin around 1914. 

    The postcard shows the house from the Washington Avenue side (west elevation) and provides a glimpse of the properties before any restoration work.  The old kitchen can be seen on the north side of the house, while the exact date it was built is unknown; we know it was built in the late 1880s or early 1890s.  It was torn down in 1929. 

    Additionally, the exterior brick has been painted, along with the lintel, which was removed in 1929. We can see the paintwork better in the second color postcard. 

    Interior

    Entrance Hall

    One of the earliest postcards we have of the entrance hall, around 1923.    One of the most notable things is the plasterwork on the ceiling.  If you see current pictures of the entrance, you will notice that this plasterwork no longer exists.  The plasterwork was done by former resident William Key Howard, Jr., when he was restoring the original ceiling in the other rooms.    In 1930, the Association decided to remove the plasterwork because it was not original to the Lewis family.  Mr. Howard Jr. was not happy when he found out that the plasterwork had been destroyed and called it an act of vandalism. 

    Additionally, we can see next to the tall case clock a door that leads into the drawing room, which no longer exists.  It was decided that this was not the original placement, and the door was moved directly across from the office door in 1930. 

    Chamber/NW room, first floor

    While we currently interpret the NW room on the first floor as the chamber, the ladies referred to it as the Dining Room. We can see a round table, a sideboard, two chairs, and two portraits, plus a large silver tea urn.   The postcard dates from the late 1930s because we know from our records that most of these pieces were donated in 1935.  We still have all these objects in the collection, but the only things currently on display to the public are the round table in the dining room and the chairs in the drawing room.  All other pieces are in storage. 

    Dining Room/NE room, first floor

    We currently refer to the NE room on the first floor as the dining room.  It has undergone many changes, with Gothic arches added to the closets during the 19th century, and has been restored to its original shape.   Not everything in the postcard is still in our collection, but you can see the square table still on display in the dining room, and Betty’s portrait is now in the drawing room. 

    On the left is the Dining Room during the Howard occupation around the 1890s, and on the right, the Dining Room today
    The Dining Room after the Kenmore Association’s restoration, c. 1940s

    Drawing Room/SE room, first floor

    The drawing room was previously known as the library and also served as a chamber for a while in the 1980s.  By the window, you can see Betty’s desk in the older postcard (c.1940s), which is still on display, but in the chamber.  We still have the tea set on display where it was in the chamber, but it is currently in storage.

    On the left is the Drawing Room during the Howard occupation around the 1890s, and on the right is the Drawing Room now
    Drawing Room, c.1940s
    In the 1980s the Drawing Room was turned into a bedroom

    Office/SW room, first floor

    Fielding’s office has been displayed as a sitting room and a kids’ room.  We don’t have many of the objects in the postcards still in the collection, except the corner chair, which now has a check seat, and the music stand, which is too fragile at the moment for display.

    2nd floor

    We currently do not offer tours of the upstairs area because we don’t put too much stress on our lovely plaster ceilings.  The Kenmore Association interpreted the upstairs as individual bedrooms for the family, which is not the most historically accurate version.

    Hallway/ 2nd floor

    Besides the paint color, the hallways upstairs remain structurally the same.  The ladies have Betty’s desk on display, with the Hammond quilt above.  We still have the Hammond quilt; fortunately, we removed it from the frame, but it is a massive quilt and is not currently on display. However, it is in excellent condition.  As for the tall case clock, chandelier, and curtains, they have been lost to history.

    “Mary Washington Bedroom”/NE room/2nd floor

    We have no evidence that Mary ever had a dedicated bedroom at Betty’s house, and it seems unlikely with the size of the Lewis family.  We do still have some of the pieces in the collection. The tea box is currently on display in the chamber, and the yellow tea set has been displayed intermittently over the years.  The two calendar prints hung on the wall are now downstairs in the drawing room.  Lastly, the chaise lounge was loaned to the foundation by the Metropolitan Museum of Art in the 1930s (subsequently purchased in 1968) and is currently in storage, as there is no evidence that the Lewis family owned many northern furniture pieces.

    “Mary’s Bedroom” is currently storage with temporary covering to protect the original floors.

    “Guest Bedroom”/NW room/2nd floor

    Much like “Mary’s bedroom,” it is very unlikely that the Lewis family had a “guest room,” with as large as the family was, it would have been a waste of space.  The bed still resides in our collection, disassembled and in storage. 

    “Betty’s bedroom”/SE room/2nd floor

    Again, during the Lewis occupation in the 18th century, individual bedrooms were not common, except for the head of the family.  Not many of the objects in the postcard are still in our collection, except for the bed, which is now in the chamber downstairs, and the William Walker, Jr. armchair, which is currently off display, but we do have another one in the dining room.

    “Betty’s bedroom (2nd floor SE) is currently used as storage…and some Twelfth Night decorations

    “Boy’s Room”/SW room/2nd floor

    The last room upstairs is smaller than the other rooms and has access to the attic.  The ladies used this as the boys’ room, but as we discussed, with the other rooms, it is unlikely that this was accurate.  We do still have many of the pieces’ pictures, but the only one currently on display is the slant-top desk in the Visitors Center. 

    Heather Baldus

    Collections Manager

  • Dining Room vs. Dining Room

    Several months ago, Historic Kenmore concluded the refurnishing effort in the Dining Room.  After painstaking research and scientific investigation, that room has been returned to a state that would be immensely familiar to Fielding and Betty Washington Lewis.

    It might look somewhat unfamiliar, however, to later occupants of Kenmore.  The first picture below was taken sometime between 1880 and 1902 when the Howard family occupied the house.

    When, in 1881, Kenmore was purchased by Mr. William Key Howard of Maryland, the place was in deplorable condition.

    Kenmore suffered considerable damage to its ornamental plaster ceilings during the Civil War. Young William K. Howard, Jr. urged his father to allow him to repair them. When scaffoldings were built, the artistic lad worked long and patiently making his own molds for replacement elements when needed.

    The Howards saved the ceiling but, naturally, their goal was not to return the building to its colonial-era appearance.  When Kenmore became a historic house museum, changes still had to be made over many decades to achieve a historically accurate décor that closely resembles the one the Lewises would have known in the late 1700s.

    The second picture shows the dining room as it appears today after meticulous restoration and refurnishing.  Comparing the two photos, we see the biggest architectural change to the room was the removal of the gothic arched niches on each side of the fireplace.  The arches were returned to the original square doors.

    The narrow oak flooring, which replaced the original floor stained with the blood of Civil War soldiers who received medical treatment at Kenmore, was itself replaced with heart pine flooring.  Late last year, the floor was covered with a beautiful replica 18th century carpet.

    Decorative coal grating and surrounding bricks were removed from the fireplaces making them larger.

    The wood molding put on the walls to create false panels was removed and replaced with plaster molding whose original location was found during removal of paint during restoration work.

    Those are just a few of the changes both large and small that can be seen when comparing these two photos.  The changes occurred over many decades and involved many dedicated people but each started, in many ways, with the Howards.  They and all the rest of us who have spent our days at Kenmore have taken something old and made it new again.

    Heather Baldus, Collections Manager
    Zac Cunningham, Manager of Educational Programs