Lives and Legacies

Category: George Washington’s Ferry Farm

  • The Wine Bottle: Ubiquitous and Informative

    Ah, the humble wine bottle.  There are few historical archaeological sites without them and Ferry Farm is no exception.  Our current mending project has produced about a dozen wine bottles from one Washington house cellar feature alone.  Readily identifiable because their form has changed little in the past 250 years, these beauties are sometimes overlooked in favor of fancier or more exotic artifacts.  However, there is much we can learn from the sherds of wine bottles and much history wrapped up in their existence on colonial sites.

    Wine Bottles 1
    Mid-18th century bottle neck and base fragments excavated from the Washington house cellar at Ferry Farm.

    Let’s start with what wine bottles cannot tell us. They can’t actually tell us whether or not folks were drinking wine.  Huh?  Well, ‘wine’ bottles of the colonial period held anything from vinegar to gin and all liquids in between.   Yes, many contained wine but the modern use of ‘wine’ to describe these bottles, with their tall, cylindrical shape and dark green-colored glass, is really just a reflection of what we exclusively drink from them currently.

    Most 18th and 19th century wine bottles held a variety of substances over their lifetimes.  Bottles were not cheap before industrialization made them relatively disposable and were often listed in probate inventories.  Recycling is nothing new.  Your average 18th century household carefully cleaned out each empty bottle for reuse when needed.  The inside was scoured with sand, small pebbles, or lead shot (which is a terrible idea). It is not uncommon to find wine bottles archaeologically that exhibit heavy use wear on the inside and outside from years of being drained, cleaned, refilled and used for storage, serving, and transport.  Truly, the wine bottle was a workhorse.

    Wine Bottles 2
    An example of what the bottles excavated at Ferry Farm looked when they were whole.

    Where did these ever-present bottles come from?  For the most part, from England.  This isn’t surprising given that colonials weren’t really allowed to trade with any other countries.  While there were some early glass houses in the Americas, their production was nowhere near that of England’s well-established glass industry.  The English produced squat and sturdy wine bottles of very dark glass often dubbed ‘black glass’ able to survive shipping across the Atlantic.  They were filled before the trip and used as ballast in the ship, the contents often being worth more than the bottle itself.

    For the most part, these ‘black glass’ wine bottles were filled with wine but not the wine that you’re likely familiar with.  Your typical red or white wine would not survive the months-long tumultuous ocean journey (with its extremes of temperature and humidity) from Europe to America. It would be vinegar by the time it arrived, if you were lucky.

    However, wine fortified with a hard liquor such as brandy would halt fermentation and oxidation processes and make the wine both transportable AND much higher octane once it arrived for thirsty colonials.  Subsequently, a lot of the wine enjoyed in 18th century America was fortified.  Not only did these fortified wines such as Madeira, port, sherry, Masala, or Malaga survive the nasty voyage across the ocean, they actually tasted better once they reached their destination.  Fortified wines are total masochists and basically thrive under neglect and abuse.  The more rocking of the boat the better.  Fortified wines also love extremes of temperature and humidity.  In fact, bottlers often documented the voyage a particular wine took.  Madeira and Port that traveled south of the equator and then back north again fetched top dollar because they had been exposed to the extreme conditions of the tropics.

    B1981.25.623
    “An English Sloop Becalmed near the Shore” (mid-18th cent.) by Francis Swaine. Credit: Yale Center for British Art, Paul Mellon Collection

    But why import all this wine?  Surely it would have been cheaper and easier to make it locally like most other colonial food and beverages.  Well, the colonists tried….and tried…and tried.  Even Thomas Jefferson, one of the great innovators of his day and a celebrated lover of wine, failed in this task, although not for lack of effort.  It turns out that European grapes do not do well in the Americas and tend to wither from disease and pests.  Additionally, North America’s few native grapes are ill-suited to making fine wine.  It was not until recently in our history as a country that we’ve succeeded in growing hybrid grape varieties that will produce a palatable wine.  We had a much better track record of making wine out of pretty much everything else (dandelions, apples, barley, peaches, quince, and any berry they could get their hands on).  Seeing as it was unimaginable that our founding fathers go without one of their favorite beverages, both wine and wine bottles ended up making their way across the Atlantic in large quantities.

    All of this brings us back to the Washington family wine bottles.  Their presence is not a surprise but finding them has us pondering the importance of wine in the colonies, the intricacies of colonial transatlantic trade, and the value of seemingly everyday objects in colonial society.  Of course it’s also fun to contemplate all of the libations they may have held over the years until a careless hand shattered them and banished the bottles to the trash midden where they would await discovery by archaeologists two and a half centuries later.

    Mara Kaktins, Archaeologist
    Ceramics & Glass Specialist

    Grasse, Steven.  Colonial Spirits:  A Toast to Our Drunken History.  Abrams Image, New York.  2016

    Hancock, David.  Oceans of Wine:  Madeira and the Emergence of American Trade and Taste.  Yale University Press, New Haven and London.  2009.

    Jones, Olive R.  Cylindrical English Wine & Beer Bottles 1735-1850.  Minister of Supply and Services, Canada.  1986.

  • Photos: “Antiques” Hunt!

    Furnishings posts logo finalSeveral weeks ago, staff from George Washington’s Ferry Farm went hunting for objects to go into the reconstructed Washington house, which will be fully furnished with reproduction pieces to allow our visitors to sit on the chairs, open drawers, and pick up the plates on the table.  Finding accurate, well-made reproductions of pieces from the Washington-era is no small feat but staff members have traveled to a variety of flea markets and consignment shops on the hunt for 20th century Colonial Revival objects that will pass as 18th century.  Here are a few photos from one of these trips…

    To learn more about the reconstructed Washington house furnishing effort, you might wish to read these blog posts…

    Furnishing George’s House: The Corner Cupboard
    Furnishing George’s House: What Exactly is That? Curatorial Conundrums in the Washington House – Part 1: Scrutoire
    Furnishing George’s House: What Exactly is That? Curatorial Conundrums in the Washington House – Part 2: Sugar Box
    Search for Washington House Furnishings Takes Exciting Turn!
    Just What is Colonial Revival?
    Getting “Judgy” With Colonial Revival Ceramics

    Video – Lecture: “The Rooms at Ferry Farm”

    Meghan Budinger
    Aldrich Director of Curatorial Operations

  • Video: 31st Annual Gingerbread House Contest & Exhibit

    In this festive holiday video, we see all the “Historic Sites in Virginia” gingerbread houses entered in this year’s contest. To see the list of winners, click here.

    The exhibit runs until December 30. Click here to learn more about visiting George Washington’s boyhood home this holiday season.

  • Finding Clues in Curtain Rings

    What do you think curtains look like after hundreds of years in Virginia’s soils? Naturally, the cloth portions of such tasteful textiles quickly erode away. But archaeologists do occasionally discover curtain rings. It’s likely that brass rings such as these became separated from their stylish drapery due to cloth tearing or – occasionally – because the ring itself breaks (see third ring from left in photo below).

    Curtain Rings
    Possible curtain rings recovered by archaeologists at Ferry Farm. These are made from solid brass. Such rings supported bed curtains, wall hangings, and window curtains.

    These archaeological gems from the soils that surround Washington’s boyhood home provide details regarding the Washington family’s decisions about the furnishing of their home. Drapery provided privacy, embellished an otherwise drab surface, enhanced warmth, and allowed occupants to control the amount of sunlight in a room. Despite these contributions to comfort and elegant style, window curtains remained somewhat uncommon in colonial households during the second quarter of the 18th century, when documents demonstrate that the Washington home had curtains.

    Curtains and wall hangings were noted in Augustine Washington’s 1743 probate inventory (see photo below). This document was created after Augustine, George’s father, died. It listed his possessions and their value. Probate inventories were created by gentlemen from the neighborhood who assessed the value of the recently deceased’s possessions for estate and tax purposes. Benjamin Berryman, Hancock Lee, and Adam Reid performed this task for the Washingtons in 1743.

    The window hangings recorded in Augustine’s probate in the hall back room, which served as Augustine and Mary’s bed chamber, were almost twice as expensive as those found in the parlor room. They were valued at two shillings six pence for a single window curtain. The probate inventory also notes two additional sets of fine curtains under the heading “linen.” These were even more expensive than those within the home’s rooms.  One pair was composed of silk while the other was made from cotton.

    ProbateP286HallBackRmCurtainsSmall copy
    This detail from Augustine Washington’s 1743 probate inventory indicates that the hall back room had two window hangings valued at 8 shillings.

    While the assemblage of curtain rings excavated at Ferry Farm may appear modest, it is worth noting that Foundation archaeologists have excavated over 900 five-ft.-by-five-ft. excavation squares! That’s well over 22,000 square feet of soil screened.[1] Every inch of soil is screened through ¼-inch mesh screen and artifacts from all time periods are cleaned, cataloged, and curated at Ferry Farm. It is only through such a thorough and extensive excavation strategy, that any evidence for brass rings that supported wall and window hangings can be discovered.

    If Ferry Farm was the homestead of a less famous family (whose records were less diligently preserved) or the home of a family who lacked the income level to warrant a probate inventory, these excavated rings would be the sole evidence of the existence of wall hangings, window hangings, or bed curtains. The few rings recovered from these extensive excavations alone allow us to infer that this family had hangings. Just how these rings were employed is not known with certainty using the material record alone but these archaeological remains alongside the probate inventory provide an exceptional opportunity for Foundation scholars to understand the mid-18th century Washingtons.

    The presence of brass rings at Ferry Farm illustrates the importance of thorough excavation to recover small finds artifacts. Together with the probate inventory, these rings allow archaeologists, curators, and material culture specialists to compare – and to appreciate – what the Washingtons owed in 1743 versus what was preserved in the ground after hundreds of years.

    Laura Galke, Archaeologist
    Site Director/Small Finds Analyst

    [1]Most excavation units extend to a depth of about one foot, though some proceed to even greater depths.

    Further reading
    Muraca, David, John Coombs, Phil Levy, Laura Galke, Paul Nasca and Amy Muraca
    2011 Small Finds, Space, and Social Context: Exploring Agency in Historical Archaeology. Northeast Historical Archaeology 40:1-20.

  • At the Kids’ Table …with George Washington?

    Happy-Thanksgiving-One of the first pieces of furniture that will arrive at the recreated Washington house at George Washington’s Ferry Farm will be the large, round dining table for the Hall.  It’s being made at a shop in Pennsylvania and we hope to have it before the end of the year.  With Thanksgiving just a week away, we wanted to take a look at the practice of dining and the furnishings it required in the early 18th century, before it became a formal ritual and before it had a dedicated room in the home.

    We’ve discussed the evolution of the dining room in colonial America in a video here on Lives & Legacies and in numerous posts on The Rooms at Kenmore. As you probably recall, dining rooms did not appear in American houses until the second half of the 18th century and then didn’t become common until the end of the century.  Prior to that point (and even for a long time afterwards), meals were taken in almost every room of the house.  Furniture was moved to wherever it was needed, to take advantage of a cool breeze on a hot summer day, or the warmth of a fireplace in the winter, or simply because the number of people to accommodate changed from day to day.

    What can be glossed over, however, is that early Americans didn’t need dining rooms because they really didn’t dine all that often.  They ate, yes, but not in any formal way, not at any set times of day, nor with set specific accessories.  Meals were simply brief breaks in the unending work of the day. Even in gentry families, everyone had a job or task that added to the family’s production.  Not everyone could break for a meal at the same time, so rarely did an entire family sit down together.  Meals weren’t considered a time to chat and catch up with family members, rather they were a perfunctory chance to refuel before moving on to the next task. The concept of the “family dinner” that we try so hard to maintain today is the product of a much later time period.

    In a household where there were fewer chairs than family members, the men got first dibs with women and children either standing to eat or sitting down after the men were finished.  There usually wasn’t a central table but rather several spots scattered around a room or rooms where a person might set their plate or bowl while eating.  Even in a household where seating could accommodate all members of the family, children were bumped from a table and chair whenever company came to visit.  They were left to find a spot to perch elsewhere.[1]

    The original Strother house at Ferry Farm was constructed during this early 18th century when meals were simply not an important part of life – none of its rooms were designated as eating spaces.   Tables and chairs that could be used for eating were found in both of the main rooms.  Even when the Washingtons enlarged the house after their purchase of it in 1738, specific rooms for dining were pretty much unheard of.

    The Washington house features a room called the Hall, which was usually the largest room in a house of the time.  The space was multi-purpose, being used for everything from sleeping space and entertaining purposes to keeping livestock warm on particularly cold nights.  As the 18th century progressed, gentry families became more refined and devoted more time to increasingly formal versions of dining and the Hall eventually morphed into the dining room (probably because of the commodious space).

    Augustine Washington’s probate inventory gives us a glimpse into this transitional time period.  When the inventory is taken In 1743, the large room in the Washington house is still called a Hall, and it clearly has a variety of uses, but it is stocked with two tables of considerable value and 12 chairs. This indicates that more formalized meals are taking place in the room.

    Hall on the Probate
    Section of Augustine Washington’s probate inventory taken in 1743 showing the furniture and personal property listed in the Hall.

    The mention of two tables – one large and one small – in a hall or dining room pops up quite often in period inventories.[2]  The likeliest explanation for having two tables in a dining space is one that is pretty familiar to us modern Americans.  When it’s just the immediate family sitting down to a meal, you only need the one table.  But, when the house is full of visitors, perhaps for a holiday or special occasion, an extra table may need to be on-hand to seat…well, the kids.  Whereas the kids were bumped from the table to a spot on the floor to accommodate guests earlier in the century, by the 1740s, they were rating a place at a table, albeit an auxiliary one.

    An Election Entertainment Hogarth 1754
    “An Election Entertainment” (1754) by William Hogarth. The painting shows a Whig banquet thrown to win votes through food and drink, a common practice in both England and the Colonies. Two dining tables – a rectangular one and a round one – are visible. Credit: Sir John Soane’s Museum / The Yorck Porject / Wikipedia.

    Interestingly, the contents of the Washington Hall at Ferry Farm mirrors almost exactly the contents of the Dining Room at Kenmore nearly 40 years later: one large table (identified as oval-shaped at Kenmore), 1 small table (identified as square at Kenmore), a large set of chairs (15 at Kenmore, 12 at Ferry Farm), one large looking glass, and a desk (a bookcase-on-desk at Kenmore and an escritoire at Ferry Farm).  Even in a very formal, elite house like Kenmore, there were still two separate tables to accommodate an overflow of diners and a desk, indicating multiple uses for such a large room.

    We often find parallels between Kenmore and the Washington house in our research.  Betty Lewis learned her skills as mistress of the house under her mother’s tutelage at Ferry Farm, and so it seems logical that there would have been things that she did at Kenmore “just like mom.”  In furnishing the Washington Hall, we’ve decided to draw a visual connection between it and the Kenmore Dining Room, using one large round dining table and one small square table.  In fact, the reproduction table being made in Pennsylvania for the Washington house is based on the round table from our collection that is currently on display in the Kenmore Dining Room.

    Kenmore Dining Room on 12th Night
    Kenmore’s Dining Room with both the round and square tables displayed during a performance of the annual holiday theatrical drama “Twelfth Night at Kenmore” each year in early January.  This season’s performances will take place January 5, 6, and 7. Visit kenmore.org for details.

    So, as you make preparations for Thanksgiving, if anyone in your household grouses about being relegated to the kids’ table this year, just tell them to remember the Washingtons.  In their house, even George sat at a kids’ table and it was a pretty big step up!

    Meghan Budinger
    Aldrich Director of Curatorial Operations

    [1] Carroll, Abigail. Three Squares: The Invention of the American Meal.  Basic Books, 2013.

    [2] The Probing the Past database of probate inventories from Virginia and Maryland during the 18th and early 19th century is a wealth of information.  Here are links to just three inventories that show the table configuration discussed here:

    http://chnm.gmu.edu/probateinventory/document.php?estateID=287

    http://chnm.gmu.edu/probateinventory/pdfs/wshgtn43.pdf

    http://chnm.gmu.edu/probateinventory/document.php?estateID=122

     

     

  • The Colorful Glass Tablewares of the Washington Household

    As work continues on the reconstructed Washington family home at Ferry Farm, we archaeologists are identifying items that were owned by the Washingtons so we can eventually fill the reconstructed house with plates, bowls, glasses, and many other objects based on artifacts we’ve discovered.  In a previous blog post, we looked at some of the fancy colorless glass that adorned the Washington family’s dining table.  While this clear glass definitely dominates our collection, we’ve also discovered quite a few vessels of colored glass including deep cobalt blue, amethyst, smoky quartz, and milky white.

    Glass is made from silica sand, soda ash, and lime. Its color is dictated, in part, by impurities in the silica sand such as iron which causes the glass to turn the dark shades of green seen in early colonial wine bottles.

    Early glassmakers found ways to reduce the amount of this iron and created colorless glass. Colorless glass was by far the most common used as tableware. Much of the clear glass on Mary Washington’s table was also made with a lead oxide additive, which achieved the desired “crystal clear” look and produced heavier and more refractive table glass.

    Early glassmakers also found that when other types of metal oxides were added to the silica sand, soda ash, and lime, the result was different colors of glass. This colored glass could still be infused with some amount of lead oxide to give it clarity.

    Glassblowing
    French glass blowers at work. Credit: Bill Lindsey / Society for Historical Archaeology

    The glass belonging to the Washingtons discussed below was handmade in the 1700s, meaning it was mouth-blown by a skilled glass blower and, in some cases, hand decorated.

    Cobalt Blue Goblet or Wine Glass
    Our first piece is a base sherd with partial stem.  The beautiful sapphire color of this sturdy stemware was created using cobalt oxide as a coloring agent.

    Cobalt Blue Goblet Base
    Cobalt Blue Goblet Base

    Likely made in England, it has a rather hefty base compared to our other stemwares and belonged to a goblet or wine glass. Any number of beverages could have been held in this glass, although today we commonly associate goblets with water and wine glasses with, well, wine.

    Cobalt Blue Goblet
    Cobalt Blue Goblet

    Smoky Quartz Wine Rinser
    The wine rinser has passed out of use in modern society.  It was used on the formal gentry table for washing wine glasses between uses or meal courses. When a new wine was brought to the table, the glasses would be placed in the rinser to flush the previous wine from the glass.  The small spouts on either side are meant to support an upside-down wine glass by the stem in water.

    Wine Glass Rinser with Wine Glass
    Wine Glass Rinser with Wine Glass

    Not only did tableware like this reflect wealth enough to afford multiple wines and meal courses, it was also a colorful piece that stood out among the colorless wine glasses on the table. The smoky-colored lip fragments and the thin, blue green fragments in our collection are believed to be from two different wine rinsers.

    The smoky fragment is a rather unusual color but was created with similar metal oxides as the blue/green piece. Greys, greens, and colors-in-between are created using mixtures of iron, chromium, and copper. Adding cobalt to this mix created variations of blue/green.

    The amethyst rinser pictured below is from our own collection at Historic Kenmore. Amethyst glass was created using manganese and sometimes nickel.

    92.001.7
    Amethyst Wine Rinser from the Historic Kenmore collection.

    Enameled Milk Glass Tumbler
    This tumbler or beaker fragment is made from opaque white or ‘milk’ glass and was produced by adding tin or zinc oxides, fluorides, and phosphates to the glass.  Germany was known for its production of milk glass but it was produced in other parts of Europe as well. In general, tumblers were used for mixed alcoholic beverages and, like other table wares, reflected the status the owner wanted to present to visitors.  Although it is difficult to see, this vessel was hand-painted or ‘enameled’.  Centuries in the dirt were not kind to the decoration, however, and we are left only with a ghost of the original painting known as a ‘fugitive design’.

    Enameled Milk Glass Tumbler
    Milk glass with fugitive design recovered by Ferry Farm archaeologists.

    At one time, this glass was vibrant and colorful and was likely gilded with gold leaf like the German example pictured below.

    51.3.224-opt
    51.3.224, Collection of The Corning Museum of Glass, Corning, New York.

    Amethyst Glass
    We only have a small fragment of deep purple amethyst glass, and cannot determine a vessel form without a bigger piece.

    Amethyst Glass (2)
    Small piece of amethyst glass recovered archaeologically at Ferry Farm.

    Again, like with the other colored pieces of tableware, amethyst was for formal dining and a showpiece to visitors. The shape and faceting of this fragment may have resembled this circa 1800 amethyst goblet.One of the rarer table glass colors is Amethyst. As mentioned earlier, this color was created with the addition of manganese and sometimes nickel as a coloring agent.

    RS2010_3_13_500x
    2010.3.13, Collection of The Corning Museum of Glass, Corning, New York, Gift of Dr. Charles Lothridge

    Follow Lives & Legacies for updates on the Washington family’s glasswares we are identifying at Ferry Farm. More discoveries await!

    Elyse Adams, Archaeologist
    Artifact Cataloger & Field Monitoring Technician

    Mara Kaktins, Archaeologist
    Ceramic & Glass Specialist

    Source:

    Mackay, James. Antiques at a Glance: Glass.PRC Publishing Ltd. London. 2002. Print.

  • Video – Building George’s House: Oyster Slaking

    In this video, stone and brick mason Ray Cannetti and his crew turn burnt oyster shells from last summer’s lime rick burn into powdered lime to use in mortar in the reconstructed Washington house chimneys.

    Learn more about the Washington House here and view other videos, photos, and blog posts about the project at here.

  • Getting “Judgy” With Colonial Revival Ceramics

    Furnishings posts logo finalPreviously on Lives and Legacies, curator Meghan Budinger laid out a wonderful summary of the Colonial Revival movement.  At no point did she weigh-in with her opinion of Colonial Revival and she should be applauded for her diplomacy.  To be honest, though, many historians, material culture specialists, and decorative arts enthusiasts (among others) can get a little ‘judgy’ when it comes to Colonial Revival.

    Copies of copies rarely turn out as nice as the original and, as Meghan discussed, Colonial Revival items conform more to our notion of how things looked in the 18th century than how they actually looked in the 18th century.

    When dealing with ceramics, Colonial Revival copies are almost always ‘clunky’ compared to the beauties they seek to emulate.  This is because the reproductions are machine made, while the colonial originals were handmade and hand-decorated. It’s very hard to imitate that kind of craftsmanship with a machine.  Experts call it being ‘debased’.  The copy is simply of a lower quality and slightly distorted.

    Take for example this, um, interesting platter made between 1935 and 1941 by The Homer Laughlin China Company. It is a hideous imitation of the beautiful shell edge decoration popular in the late 18th and first half of the 19th century.  Of course, not all Colonial Revival is quite this debased as this extreme example.

    Colonial Revival Ceramics 3
    This 20th century Colonial Revival reproduction made by The Homer Laughlin China Company is a ‘debased’ version of a shell edge platter from the 18th century pictured below.

    Colonial Revival Ceramics 4

    Some are actually pretty accurate, like this tasteful white granite pitcher or this stoneware mustard pot, which dates from 1993.  I’m pretty sure it came from The Cracker Barrel.

    Colonial Revival Ceramics 2
    Colonial Revival white granite pitcher.
    Colonial Revival Ceramics 1
    Colonial Revival stoneware mustard pot dating from 1993 and perhaps sold by The Cracker Barrel.

    It just so happens that our awesome team of specialists (curators and archaeologists – a fun bunch) are currently furnishing the Washington house at Ferry Farm with reproductions the public may handle as we create an interactive house. Original 18th century objects are not an option.  Good colonial reproductions can sometimes cost as much as originals and can also be surprisingly hard to find.  Thus, despite our prejudices, we’re finding ourselves extremely grateful for the glut of Colonial Revival tea and tablewares currently on the market.

    Colonial Revival pieces are often quite sturdy, relatively inexpensive, and no member of our staff will dissolve into tears if a stoneware crock with cobalt blue hand-painted decoration originally purchased at The Cracker Barrel in 1997 broke.  We might actually celebrate it.  And so we hunt for modern items that straddle the line between historically accurate and, if need be, expendable.  We are diligently scouring auction sites, thrift and junk shops, antique markets, and sometimes our own cupboards in our never ending quest for Colonial Revival.  We will be sure to keep you updated on our progress and hope you can visit the Washington House to see how we did!

    Mara Kaktins, Archaeologist
    Ceramics & Glass Specialist

  • George’s Hometown: Kenmore

    As George Washington’s Ferry Farm prepares to celebrate the reconstruction of the Washington house, we traveled around George’s hometown – Fredericksburg, Virginia – to visit a few places important in the transformation of George from boy to man.

    Fredericksburg remained important to George Washington throughout his life. It was the home of Mary Ball Washington, his mother, until her death on August 26, 1789 at the age of 80 from breast cancer. It remained the home of Betty Washington Lewis, his sister, until 1795 when she was forced by financial circumstances to leave the grand house she and husband Fielding Lewis, a wealthy merchant, had built to live at Mill Brook, a farm in Spotsylvania County.  Washington visited his mother as well as his sister and brother-in-law regularly but, as the years passed, these visits became more and more infrequent as the Revolution and Presidency required all his time and attention.  George Washington visited Betty and Fielding at Kenmore once in 1784.

    George's Hometown 5
    Historic Kenmore

    Join us at the Washington House Celebration on Saturday, October 7, 2017 from 12:00 p.m. – 4:30 p.m. to celebrate the construction of the Washington house! A special ribbon-cutting ceremony will begin at 1:30 p.m. featuring notable speakers. After the ceremony, guests will be invited to view the reconstructed Washington house!

    Ferry Farm opens to visitors at noon on Saturday, October 7.

    DSC_3072
    The reconstructed Washington house at Ferry Farm.

    PLEASE NOTE: PARKING for the event is off site at the VRE Fredericksburg Park and Ride Lot G at the corner of Prince Edward Street and Frederick Street. Buses will transport guests to and from Ferry Farm—traveling from the VRE lot to Ferry Farm on a regular schedule from 11:45 a.m. to 1:15 p.m., and 3:00 p.m. to 4:15 p.m. Bus transportation will pause during the ribbon-cutting ceremony. The last bus will depart Ferry Farm at 5:15 p.m. Limited handicap parking is available at Ferry Farm.

  • “A Silly Bauble”: Ferry Farm’s Sputnik Moment

    EDITOR’S NOTE: Sixty years ago today, the Soviet Union launched Sputnik, Earth’s first artificial satellite, into orbit.  It was an event with consequences, both great and small, that spanned the globe, even reaching Ferry Farm, once the boyhood home of George Washington, in Virginia. Today, we reshare this blog post about Ferry Farm’s Sputnik moment.

    Sputniks and mutniks, flying through the air,
    Sputniks and mutniks, flying everywhere,
    It’s so ironic. Are they atomic?
    Those funny missiles have got me scared.
    -Lyrics from “Sputniks and Mutniks” by Ray Anderson and the Home Folks (1958)

    sputnik
    A replica of Sputnik at the National Air and Space Museum in Washington, DC. Credit: NASA/Wikipedia.

    “Beep, Beep, Beep…” went the sinister telemetry signals from the Earth’s first artificial satellite.  Launched by the Soviet Union on October 4, 1957 — 59 years ago today — those irritating beeps, which can be heard below, provided undeniable evidence of the successful launch. It occurred during the Cold War between the Communist East and the Capitalist West, and represented the dawn of the space age. Embedded within Sputnik were two radio transmitters that, using a single watt of power, broadcast a series of beeps received by radios and televisions all over the world. These beeping sounds frightened some, who mistrusted the technological breakthrough and its potential military applications.

     

    awake-at-last
    Uncle Sam is “Awake at Last” from his bed of complacency while Sputnik can be seen through the window hurtling across the sky transmitting it’s urgent ‘beep.’ Cartoon by Edwin Marcus. Credit: Library of Congress

    Sputnik roused considerable political anxiety on the part the United States, a country determined to perfect satellite technology and to engage in cosmic exploration.  They underestimated the progress of the Soviet program. Today, in popular parlance, a “sputnik moment” refers to being spectacularly caught off guard by the unanticipated advancements of a rival. President Obama incorporated “Sputnik moment” in his 2011 State of the Union Address designed to encourage investment in research and technology.

    At the height of the crisis in 1957, the Eisenhower administration referred to Sputnik as “…a silly bauble….” The satellite represented a rather modest accomplishment whose engineers prioritized being first in orbit over producing a sophisticated data-gathering tool. Recently, some scholars have suggested that the satellite was a bit of a ‘bluff’ to make the United States believe that the Soviet program was more sophisticated than it was.  Like many martial ‘bluffs,’ the impact was far-reaching and it exacerbated and escalated an already frigid Cold War.

    About the size of a beach ball, Sputnik orbited less than 600 miles above earth. Each orbit lasted 96 minutes. The National Aeronautics and Space Administration (NASA) was created in 1958 as a response to this (perceived) technological “wake up” call. Nationally, efforts to strengthen primary school science education ensued and encouraged more students to seek technologically-oriented careers in service of a more robust space program.

    In 2014, Ferry Farm archaeologists unearthed a tangible prize from this moment: a plastic toy “Sputnik” finger ring. Remember that Ferry Farm remained home to a variety of individuals and families in the centuries since the Washingtons lived there.  The flashy gold-colored ring, originally dispensed from a gumball machine, featured an idealized image of the satellite and the word “SPUTNIK.” It was no doubt cherished by its original owner, and envied by the prospective young space explorer’s friends.

    sputnik-ring-2
    The Sputnik ring recovered archaeologically at George Washington’s Ferry Farm.
    sputnik-ring-3
    A 3D image of the Sputnik ring.

    As an archaeologist, the find confused me: why would toys commemorating Soviet satellites exist in the United States?  Who would buy this celebratory object for their child? For goodness sake this land had once been Washington’s home, first president of the definitely-not communist United States. I foremost saw the object through a politico-military lens, rather than as a space-age wonder for all people.

    In popular American culture of the late 1950s, the surprise of Sputnik frequently was one of delight rather than apprehension. For some, those cosmic beeps were inspirational, promising future space travel and technological progress. From this new age of cosmic exploration emerged songs, dance, theatre, literature, and graphic art.

    A generation of young Americans, enthralled by science fiction adventures of Buck Rogers and Flash Gordon, could not contain their excitement.  They were captivated by the real-life manifestation of their outer space fantasies. The launch excited children who dreamed of the day they might defend the earth against hostile invaders from space. Kids who spent their school days engaged in “duck and cover” drills ironically raced out to their back yard for a glimpse of the Soviet technology racing across the night sky.

    childs-drawing-1
    American child’s drawing of Sputnik by a female, aged 13, October 18, 1957. Crayon on paper. Credit: Manuscript Division, Library of Congress (252L)
    childs-drawing-2
    American child’s drawing of Sputnik by a female, aged 13, October 16, 1957. Crayon on paper. Credit: Manuscript Division , Library of Congress (252h)

    The satellite orbited the earth for three months, though its radio signals tactfully subsided after three weeks.  Sputnik’s orbit eroded 4 January 1958.  Its effects were as far reaching as they were long lasting.

    The Sputnik launch garnered a diverse array of reactions nationally and internationally: pride, disquiet, excitement, imagination, and infinite inspiration. The rich variety of these responses led to the creation of a wide range of material culture – objects as small and inexpensive as a child’s toy ring and as massive an investment as the Kennedy Space Center. People created – and experienced – music, technology, literature, dance, and theatre that allowed them to understand this event in ways relevant to their own lives.   These responses reflect humankind’s desire to comprehend pivotal events that are beyond their control through personal agency.  Material culture – artifacts – gives us the capacity to participate in, to understand, and to ‘own,’ grand events that are larger than we are.

    This was true in the past as well, as the assorted artifacts analyzed daily at Ferry Farm attest. Prehistoric ground stone tools were an astonishing advancement in their time: this technology allowed our ancestors to maximize the nutritional benefits of nuts, seeds, and grains, to fell trees that made dwellings more comfortable, and to toss spears farther and with greater force. Such scientific wonders no doubt inspired non-ground stone-producing peoples to invest in technological developments of their own.

    Have a Sputnik moment! Let’s redefine the phrase to commemorate the boundless scientific and artistic creativity that the launch stimulated, rather than the political anxiety that emerged. Create a technologically- or arts-inspired marvel of your own! Don’t avoid sputnik moments… pursue them.  Show your support for World Space Week, which is held annually October 4-10. To learn more about this year’s events: http://www.worldspaceweek.org/

    Laura Galke, Archaeologist
    Site Director/Small Finds Analyst

    Further Reading

    Blair, Elizabeth
    2007  “Sputnik in Space and Song.”  National Public Radio.  Accessed 15 September 2016. http://www.npr.org/temptates/story/story.php?storyId=14937486.

    Blough, Glenn O.
    1957  “Children, Put Away Your Sputniks.”  The Science Teacher 24(8):373-374.

    Bonner, Thomas N.
    1958  “Sputniks and the Educational Crisis in America.”  The Journal of Higher Education 29(4):177-184, 232.

    Brandau, Daniel
    2015  “Demarcations in the Void: Early Satellites and the Making of Outer Space.”  Historical Social Rsearch/Historische Sozialforschung 40(1[151]):239-264.

    Cowen, Ron
    2007  “Sputnik + 50: Remembering the Dawn of the Space Age.”  Science News 172(14):216-217, 221.

    Kabakchi, V. V. and Charles Clay Doyle
    1990  “Of Sputniks, Beatniks, and Nogoodniks.”  American Speech 65(3):275-278.

    Launius, Roger D.
    2009  “Abandoned in Place: Interpreting the U.S. Material Culture of the Moon Race.”  The Public Historian 31(3):9-38.

    Moskowitz, Clara
    2012  “How Sputnik Changed the World 55 Years Ago Today”.  Space.com. http://www.space.com/17894-sputnik-anniversary-changed-the-world.html.  Accessed 14 September 2016.

    Osgood, Kenneth
    2006  Total Cold War: Eisenhower’s Secret Propaganda Battle at Home and Abroad. Lawrence, KS: University of Kansas Press.

    Starnes, Bobby Ann
    2011 “Change, Sputnik, and Fast Food.”  The Phi Delta Kappan 92(7):72-73.

    Usselman, Steven W.
    2010  “From Sputnik to SCOT: The Historiography of American Technology.”  OAH Magazine of History 24(3):9-14.